This essay argues that a black radical Kantianism proposes a Kantian theory of justice in the circumstances of injustice. First, I describe BRK’s method of political critique and explain how it builds on Kant’s republicanism. Second, I argue that Kant’s original account of public right is incomplete because it neglects that a situated citizenry’s adoption of an ideal contributes to its refinement. Lastly, with the aid of W.E.B. Du Bois’s analysis of American Reconstruction and his proposal of an “abolition democracy,” (...) I offer my refined universalizable standard for political critique. Du Bois reconceptualizes the requirements of justice to protect the political liberties and productive powers of black freedmen and the working poor. While originating with the political demands of black freedmen during the Reconstruction era, the universal protection of political liberties and productive powers offers a novel public standard for political judgment that should still anchor deliberation today. (shrink)

There is a consensus that Kant's aim in the Groundwork is to clarify, systematize and vindicate the common conception of morality. Philosophical theory hence serves a restorative function. It can strengthen agents' motivation, protect against self-deception and correct misunderstandings produced by uncritical moral theory. In this paper, I argue that Kant also corrects the common perspective and that Kant's Groundwork shows in which senses the common perspective, even considered apart from its propensity to self-deception and without being influenced by misleading (...) theory, is deficient. Critical practical philosophy needs to set right agents about the stringency of some of their duties, and agents need to be made aware that they have certain other duties. I discuss how Kant corrects the common agent's notion of the stringency of the duty to not make false promises and how Kant corrects the common agent's notion of duties to self. I finally discuss how his critical practical philosophy can become popular and achieve the correction of the common perspective. I stress the role of education informed by philosophical theory for this and contrast it with so called ‘popular philosophy’. (shrink)

El objetivo principal de este artículo es sostener que el sentimiento de lo sublime - tal como es planteado por Kant en la Crítica de la facultad de juzgar- supone el vínculo de la mente con el cuerpo propio. De otro modo, no podríamos explicar la variación de las fuerzas vitales que caracteriza al sentimiento de lo sublime. Ahora bien, la conciencia de la propia corporalidad constituye una condición necesaria - aunque no suficiente- del sentimiento de lo sublime. Consideramos que (...) además de la conciencia de las propias fuerzas vitales, el sentimiento de lo sublime supone la referencia a un principio espiritual. Por estos motivos, creemos que el sentimiento de lo sublime implica una superposición del sentimiento de vida y el sentimiento del espíritu. Con el fin de iluminar algunos aspectos problemáticos presentes en la Crítica de la facultad de juzgar, analizaremos algunos pasajes pertenecientes a la Antropología en sentido pragmático. The principal aim of this article is to support that the feeling of the sublime -as it is considered by Kant in the Critique of the power of Judgment- supposes the link of the mind with the own body. Otherwise, we might not explain the variation of the vital forces that characterizes the feeling of the sublime. However, the conscience of the own corporeality constitutes a necessary condition -though not sufficient- of the feeling of the sublime. We think that besides the conscience of the own vital forces, the feeling of the sublime supposes the reference to a spiritual principle. For these reasons, we think that the feeling of the sublime implies an overlapping of the feeling of life and the feeling of the spirit. In order to illuminate some problematic aspects in the Critique of the Power of Judgment, we will analyze some passages belonging to the Anthropology from a Pragmatic Point of View. (shrink)

RESUMEN El objetivo principal de este estudio es analizar el vínculo entre lo sublime dinámico y la moralidad en el marco del pensamiento critico de Kant. Defenderemos la tesis según la cual el sentimiento de lo sublime dinámico es irreducible a la moralidad aun cuando este sentimiento supone necesariamente la moralidad. Subsidiariamente, intentaremos señalar que lo sublime dinámico implica una referencia necesaria a la propia corporalidad. Asimismo, esbozaremos una hipótesis en torno a la posibilidad de pensar el rol de la (...) propia corporalidad en el marco de la teoría moral kantiana. Las principales conclusiones de nuestro análisis son las siguientes: 1. lo sublime dinámico y la moralidad son esferas claramente diferenciadas en el pensamiento de Kant; 2. lo sublime dinámico supone la moralidad. ABSTRACT The main aim of this study is to analyze the link between the dynamic sublime and the morality in the framework of Kant's critical thought. Our study will be restricted to the analysis of the dynamic sublime. We will defend the thesis according to which the feeling of the dynamic sublime is irreducible to the morality even if this feeling necessarily supposes the morality. Subsidiarily, we will try to indicate that the dynamic sublime implies a necessary reference to the own corporeality. Likewise, we will outline a hypothesis concerning the possibility of thinking the role of the own corporeality in the framework of the Kantian moral theory. The main conclusions of our analysis are the following: 1. the dynamic sublime and the morality are clearly differentiated spheres in Kant's thought; 2. the dynamic sublime supposes the morality. (shrink)

Although much work has been done on Kant’s theory of moral agency, little explored is the possibility of a Kantian account of the moral agency of groups or collectives that comprise individual human beings. The aim of this paper is to offer a Kantian account of collective moral agency that can explain how organized collectives can perform moral actions and be held morally responsible for their actions. Drawing on Kant’s view that agents act by incorporating an incentive into their maxims, (...) it is argued that groups of agents can engage in practical deliberation in much the same way individual agents can, resulting in the formulation of a distinctive “group maxim” for which the group, as such, can be morally responsible. (shrink)

The goal of this paper is to better understand Kant’s conception of philosophy as a “world concept”, which is at the heart of the Architectonic of Pure Reason. This is pursued in two major parts. The first evaluates the textual foundation for reading Kant’s world concept of philosophy as cosmopolitanism and concludes that he most probably never himself equated philosophy as a world concept with any form of cosmopolitanism. The second major part of the paper clarifies this concept of philosophy (...) through the specific role it plays in the argument of the Architectonic. Kant’s unique concept of science is examined and compared with several specific applications of it found elsewhere in Kant’s writings. From this it is concluded that Kant’s intention in the Architectonic was to derive his world concept of philosophy from its logical counterpart, namely the scholastic concept of philosophy, and that its function there is to provide the idea from which the entire structure of Kantian critical metaphysics can be derived. Philosophy as a world concept, it is further argued, is the complete system of critical or Kantian metaphysics in application and the philosopher in this sense is the ideal critical metaphysician who fully realizes its laws through her own understanding and will. (shrink)

This essay offers an overview of the reasons why tattoos are philosophically interesting. Considered here will be a partial survey of potential areas of philosophical interest with respect to tattoos, fortified by a little historical context. Claims about the ethical significance of tattoos and about the significance of tattoos for self-expression and as expressions of identity will be canvassed in the first two sections, as will questions about what they express or signify, how they might do so, and whose expression (...) we might take it to be. The final sections will address the contention that at least some tattoos are art and will raise various considerations about their closest analogs as well as their authorship. Although it will be argued that analogs can be found between tattoos and works recognized as art, it will also be maintained that tattoos raise unique aesthetic issues for consideration. (shrink)