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  1. Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman's Wittgenstein.Kieran Anthony Cashell - 2012 - Film-Philosophy 16 (1):101-126.
    Wittgenstein (1993), Derek Jarman’s biopic of the Austrian-born Cambridge philosopher is a fascinating – if perplexing – film. In equal measure aesthetic and didactic, its status is ambiguous, and not only because didacticism in the philosophy of art is often assumed to diminish aesthetic value. Nothing, however, of the film’s aesthetic is depreciated by the intention to instruct. Even if the objective was to teach, the film is also highly aestheticised. Composed of a series of richly theatrical set-pieces, Jarman’s film (...)
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  • Wittgenstein, Tolstoy, and the “Apocalyptic View”.Sabina Lovibond - 2016 - Philosophy of the Social Sciences 46 (6):565-583.
    Some aspects of Wittgenstein’s thought are considered in the light of a remark he makes about the “apocalyptic” view of the world. The influence of Tolstoy on Wittgenstein is discussed and elaborated with reference to the idea of a “form of life” as a locus of order, and also to that of “exceptionality” in an unfolding course of events—the latter setting up a connection with the “apocalyptic” theme. This imaginative backdrop remains discernible in Wittgenstein’s later philosophy, which draws upon it (...)
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  • The Facts Before Our Eyes: Wittgenstein and the Film Noir Investigator.Keith Dromm - 2013 - Film-Philosophy 17 (1):1-18.
    This paper discusses the methods of the investigators in film noir. They are different than those employed by the classic detective of mystery and crime fiction, which involve observation, the collection of clues, logical inference, and are generally modeled on the methods of the scientist. I illuminate the methods of the noir investigator by comparing them to those applied by Ludwig Wittgenstein to philosophical problems. Both the noir investigator and Wittgenstein deal with problems that are intractable to the methods of (...)
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  • Heidegger's Ereignis and Wittgenstein on the Genesis of Language.Richard McDonough - 2014 - Open Journal of Philosophy 4 (3):416-431.
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  • Inaugurating Postcritical Philosophy: A Polanyian Meditation on Creation and Conversion in Augustine's Confessions.R. Melvin Keiser - 1987 - Zygon 22 (3):317-337.