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  1. Figure, Ground and the Notion of Equilibria in the Work of Gilbert Simondon and Gestalt Theory.Jacqueline Bellon - 2019 - Gestalt Theory 41 (3):293-317.
    Summary Based on Clausius’ phrasing of a “transformational content” and the resulting 2nd law of thermodynamics, I demonstrated that Gilbert Simondon’s On the Mode of Existence of Technical Objects is historically situated at the threshold of understanding open systems thermodynamics and the related concepts of balance. Furthermore, I showed that Gestalt theory, as represented by Wolfgang Köhler, at least reproduced, if not partially anticipated or even prepared this development of 20th century thinking. Finally, I gave some short examples of how (...)
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  • Problems All the Way Down.Martin Savransky - 2021 - Theory, Culture and Society 38 (2):3-23.
    Besieged by ongoing economic crises, global health emergencies, geopolitical instabilities, ecological devastation, and growing political resentments, the intractable nature of the problems that configure the present has never loomed larger or more darkly. But what, indeed, is a problem? Problematising the modern image that treats problems as obstacles to be overcome by the progress of technoscientific knowledge and policy, this introductory article lays the groundwork for a generative conceptualisation of problems. Reweaving intercontinental connections between traditions of French philosophy and American (...)
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  • Designing a Transformative Epistemology of the Problematic: A Perspective for Transdisciplinary Sustainability Research.Esther Meyer & Daniela Peukert - 2020 - Social Epistemology 34 (4):346-356.
    This paper elaborates on the question of how to design an epistemological foundation for problem-oriented, collaborative forms of research, such as transdisciplinary sustainability research. It pic...
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  • Schumann's Dichterliebe: From the Problem of Performance to the Performance of the Problem.Lucia D'Errico - 2019 - la Deleuziana 10.
    This paper proposes a new approach to the performance of Schumann’s music, in particular to his song cycle Dichterliebe op. 48. Starting from the many productive instabilities and inconsistencies that characterize the compositional approach in Dichterliebe, I ask under which conditions we could think a performance practice that embraces these inconsistencies instead of stabilizing them into a finished performance. To do so, I propose the appropriation from music performance of the philosophical notion of “the problem” as formulated by Gilles Deleuze, (...)
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