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  1. An Approach to Aligning Categorical and Continuous Time Series for Studying the Dynamics of Complex Human Behavior.Kentaro Kodama, Daichi Shimizu, Rick Dale & Kazuki Sekine - 2021 - Frontiers in Psychology 12.
    An emerging perspective on human cognition and performance sees it as a kind of self-organizing phenomenon involving dynamic coordination across the body, brain and environment. Measuring this coordination faces a major challenge. Time series obtained from such cognitive, behavioral, and physiological coordination are often complicated in terms of non-stationarity and non-linearity, and in terms of continuous vs. categorical scales. Researchers have proposed several analytical tools and frameworks. One method designed to overcome these complexities is recurrence quantification analysis, developed in the (...)
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  • Synchronization and Coordination of Art Performances in Highly Competitive Contexts: Battle Scenes of Expert Breakdancers.Daichi Shimizu & Takeshi Okada - 2021 - Frontiers in Psychology 12.
    In the performing arts, such as music and dance performances, people actively interact with each other and show their exciting performances. Some studies have proposed that this interaction is a social origin of the performing arts. Some have further investigated this phenomenon based on the synchronization and coordination theory. Though the majority of these studies have focused on the collaborative context, several genres of the performing arts, such as jazz sessions and breakdance battles, have a competitive context. Several studies have (...)
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  • Framing a Phenomenological Mixed Method: From Inspiration to Guidance.Kristian Moltke Martiny, Juan Toro & Simon Høffding - 2021 - Frontiers in Psychology 12.
    Despite a long history of researchers who combine phenomenology with qualitative or quantitative methods, there are only few examples of working with a phenomenological mixed method—a method where phenomenology informs both qualitative and quantitative data generation, analysis, and interpretation. Researchers have argued that in working with a phenomenological mixed method, there should be mutual constraint and enlightenment between the qualitative and quantitative methods for studying consciousness. In this article, we discuss what a framework for phenomenological mixed methods could look like (...)
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  • Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity.Laura Bishop - 2018 - Frontiers in Psychology 9.
  • Emergent Shared Intentions Support Coordination During Collective Musical Improvisations.Louise Goupil, Thomas Wolf, Pierre Saint-Germier, Jean-Julien Aucouturier & Clément Canonne - 2021 - Cognitive Science 45 (1):e12932.
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  • How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching.Laura H. Malinin - 2019 - Frontiers in Psychology 10.
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  • Editor's Introduction and Review: Coordination and Context in Cognitive Science.Christopher T. Kello - 2018 - Topics in Cognitive Science 10 (1):6-17.
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  • Promethean and Posthuman Freedom: Brassier on Improvisation and Time.David Roden - 2019 - Performance Philosophy 4 (2):510-527.
    Ray Brassier's "Unfree Improvisation/Compulsive Freedom" is a terse but insightful discussion of the notion of freedom in improvisation. He argues that we should view freedom not as the determination of an act from outside the causal order, but as the reflective self-determination by action within the causal order. This requires a system that acts in conformity to rules but can represent and modify these rules with implications for its future behaviour. Brassier does not provide a detailed account of how self-determination (...)
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