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  1. The Possibility of Empty Fictions.Nathan Wildman - 2019 - Journal of Aesthetics and Art Criticism 77 (1):35-42.
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  • Choose Your Own Adventure: Examining the Fictional Content of Video Games as Interactive Fictions.Marissa D. Willis - 2019 - Journal of Aesthetics and Art Criticism 77 (1):43-53.
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  • Meriting a Response: The Paradox of Seductive Artworks.Nils-Hennes Stear - 2019 - Australasian Journal of Philosophy 97 (3):465-482.
    According to what I call the Merit Principle, roughly, works of art that attempt to elicit unmerited responses fail on their own terms and are thereby aesthetically flawed. A horror film, for instance, that attempts to elicit fear towards something that is not scary is to that extent aesthetically flawed. The Merit Principle is not only intuitive, it is also endorsed in some form by Aristotle, David Hume, and numerous contemporary figures. In this paper, I show how the principle leads (...)
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  • ‘Truth in Fiction’ Reprised.Manuel García-Carpintero - 2022 - British Journal of Aesthetics 62 (2):307-324.
    The paper surveys recent appraisals of David Lewis’s seminal paper on truth in fiction. It examines variations on standard criticisms of Lewis’s account, aiming to show that, if developed as Lewis suggests in his 1983 Postscript A, his proposals on the topic are—as Hanley puts it—‘as good as it gets’. Thus elaborated, Lewis’s account can resist the objections, and it offers a better picture of fictional discourse than recent resurrections of other classic works of the 1970s by Kripke, van Inwagen (...)
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  • Singular Reference in Fictional Discourse?Manuel García-Carpintero - 2019 - Disputatio 11 (54):143-177.
    Singular terms used in fictions for fictional characters raise well-known philosophical issues, explored in depth in the literature. But philosophers typically assume that names already in use to refer to “moderatesized specimens of dry goods” cause no special problem when occurring in fictions, behaving there as they ordinarily do in straightforward assertions. In this paper I continue a debate with Stacie Friend, arguing against this for the exceptionalist view that names of real entities in fictional discourse don’t work there as (...)
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  • Normative Fiction‐Making and the World of the Fiction.Manuel García-Carpintero - 2019 - Journal of Aesthetics and Art Criticism 77 (3):267-279.
    In recent work, Walton has abandoned his very influential account of the fictionality of p in a fictional work in terms of prescriptions to imagine emanating from it. He offers examples allegedly showing that a prescription to imagine p in a given work of fiction is not sufficient for the fictionality of p in that work. In this paper, both in support and further elaboration of a constitutive-norms speech-act variation on Walton’s account that I have defended previously, I critically discuss (...)
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  • Not by Imaginings Alone: On How Imaginary Worlds Are Established.Alon Chasid - 2021 - Journal of the American Philosophical Association 7 (2):195-212.
    This article explores the relation between belief-like imaginings and the establishment of imaginary worlds (often called fictional worlds). After outlining the various assumptions my argument is premised on, I argue that belief-like imaginings, in themselves, do not render their content true in the imaginary world to which they pertain. I show that this claim applies not only to imaginative projects in which we are instructed or intend to imagine certain propositions, but also to spontaneous imaginative projects. After arguing that, like (...)
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  • Semantics of fictional terms.Manuel García-Carpintero - 2019 - Teorema: International Journal of Philosophy 38 (2):73-100.
    The paper provides an opinionated survey of recent contributions – roughly, in the last decade – to our understanding of how names and other referring expressions work in fictional discourse and addresses well-known philosophical worries that they raise. Views about the semantics of referring expressions in fictional discourse are usually accompanied by metaphysical views on the ontology of fictional characters, so this will also come under our focus.
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