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  1. Creating Time: Social Collaboration in Music Improvisation.Ashley E. Walton, Auriel Washburn, Peter Langland-Hassan, Anthony Chemero, Heidi Kloos & Michael J. Richardson - 2018 - Topics in Cognitive Science 10 (1):95-119.
    Musical collaboration emerges from the complex interaction of environmental and informational constraints, including those of the instruments and the performance context. Music improvisation in particular is more like everyday interaction in that dynamics emerge spontaneously without a rehearsed score or script. We examined how the structure of the musical context affords and shapes interactions between improvising musicians. Six pairs of professional piano players improvised with two different backing tracks while we recorded both the music produced and the movements of their (...)
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  • The Future of Musical Emotions.Dylan van der Schyff & Andrea Schiavio - 2017 - Frontiers in Psychology 8.
  • The Spur of the Moment: What Jazz Improvisation Tells Cognitive Science.Steve Torrance & Frank Schumann - 2019 - AI and Society 34 (2):251-268.
    Improvisation is ubiquitous in life. It deserves, we suggest, to occupy a more central role in cognitive science. In the current paper, we take the case of jazz improvisation as a rich model domain from which to explore the nature of improvisation and expertise more generally. We explore the activity of the jazz improviser against the theoretical backdrop of Dreyfus’s account of expertise as well as of enactivist and 4E accounts of cognition and action. We argue that enactivist and 4E (...)
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  • Coordination Dynamics: A Foundation for Understanding Social Behavior.Emmanuelle Tognoli, Mengsen Zhang, Armin Fuchs, Christopher Beetle & J. A. Scott Kelso - 2020 - Frontiers in Human Neuroscience 14.
  • Synchronization and Coordination of Art Performances in Highly Competitive Contexts: Battle Scenes of Expert Breakdancers.Daichi Shimizu & Takeshi Okada - 2021 - Frontiers in Psychology 12.
    In the performing arts, such as music and dance performances, people actively interact with each other and show their exciting performances. Some studies have proposed that this interaction is a social origin of the performing arts. Some have further investigated this phenomenon based on the synchronization and coordination theory. Though the majority of these studies have focused on the collaborative context, several genres of the performing arts, such as jazz sessions and breakdance battles, have a competitive context. Several studies have (...)
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  • Tonal Emergence: An Agent-Based Model of Tonal Coordination.Matthew D. Setzler & Robert L. Goldstone - 2022 - Cognition 221 (C):104968.
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  • Levels and Norm-Development: A Phenomenological Approach to Enactive-Ecological Norms of Action and Perception.Miguel A. Sepúlveda-Pedro - 2020 - Frontiers in Psychology 11.
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  • Optimizing Performative Skills in Social Interaction: Insights From Embodied Cognition, Music Education, and Sport Psychology.Andrea Schiavio, Vincent Gesbert, Mark Reybrouck, Denis Hauw & Richard Parncutt - 2019 - Frontiers in Psychology 10.
    Embodied approaches to cognition conceive of mental life as emerging from the ongoing relationship between neural and extra-neural resources. The latter include, first and foremost, our entire body, but also the activity patterns enacted within a contingent milieu, cultural norms, social factors, and the features of the environment that can be used to enhance our cognitive capacities (e.g., tools, devices, etc.). Recent work in music education and sport psychology has applied general principles of embodiment to a number of social contexts (...)
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  • Instrumental Technique, Expressivity, and Communication. A Qualitative Study on Learning Music in Individual and Collective Settings.Andrea Schiavio, Dylan van der Schyff, Michele Biasutti, Nikki Moran & Richard Parncutt - 2019 - Frontiers in Psychology 10.
  • Thinking Through Talking to Yourself: Inner Speech as a Vehicle of Conscious Reasoning.Wade Munroe - forthcoming - Philosophical Psychology:1-27.
  • Framing a Phenomenological Mixed Method: From Inspiration to Guidance.Kristian Moltke Martiny, Juan Toro & Simon Høffding - 2021 - Frontiers in Psychology 12.
    Despite a long history of researchers who combine phenomenology with qualitative or quantitative methods, there are only few examples of working with a phenomenological mixed method—a method where phenomenology informs both qualitative and quantitative data generation, analysis, and interpretation. Researchers have argued that in working with a phenomenological mixed method, there should be mutual constraint and enlightenment between the qualitative and quantitative methods for studying consciousness. In this article, we discuss what a framework for phenomenological mixed methods could look like (...)
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  • How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching.Laura H. Malinin - 2019 - Frontiers in Psychology 10.
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  • Interpersonal Sensorimotor Communication Shapes Intrapersonal Coordination in a Musical Ensemble.Julien Laroche, Alice Tomassini, Gualtiero Volpe, Antonio Camurri, Luciano Fadiga & Alessandro D’Ausilio - 2022 - Frontiers in Human Neuroscience 16.
    Social behaviors rely on the coordination of multiple effectors within one’s own body as well as between the interacting bodies. However, little is known about how coupling at the interpersonal level impacts coordination among body parts at the intrapersonal level, especially in ecological, complex, situations. Here, we perturbed interpersonal sensorimotor communication in violin players of an orchestra and investigated how this impacted musicians’ intrapersonal movements coordination. More precisely, first section violinists were asked to turn their back to the conductor and (...)
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  • Decision-Making in Shiatsu Bodywork: Complementariness of Embodied Coupling and Conceptual Inference.Michael Kimmel & Christine Irran - 2022 - Phenomenology and the Cognitive Sciences 21 (2):245-275.
    “4E” cognitive science has demonstrated that embodied coupling offers powerful resources for reasoning. Despite a surge of studies, little empirical attention is paid to discussing the precise scope of these resources and their possible complementariness with traditional knowledge-based inference. We use decision-making in Shiatsu practice – a bodywork method that employs hands-on interaction with a client – to showcase how the two types of cognitive resources can mesh and offer alternative paths to a task: “Local” resources such as embodied presence, (...)
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  • Exploratory expertise and the dual intentionality of music-making.Simon Høffding & Andrea Schiavio - 2021 - Phenomenology and the Cognitive Sciences 20 (5):811-829.
    In this paper, we advance the thesis that music-making can be advantageously understood as an exploratory phenomenon. While music-making is certainly about aesthetic expression, from a phenomenological, cognitive, and even evolutionary perspective, it more importantly concerns structured explorations of the world around us, our minds, and our bodies. Our thesis is based on an enactive and phenomenological analysis of three cases: the first concerns the study of infants involved in early musical activities, and the two latter are phenomenologically inspired interviews (...)
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  • Creative Togetherness. A Joint-Methods Analysis of Collaborative Artistic Performance.Vincent Gesbert, Denis Hauw, Adrian Kempf, Alison Blauth & Andrea Schiavio - 2022 - Frontiers in Psychology 13.
    In the present study, we combined first-, second-, and third-person levels of analysis to explore the feeling of being and acting together in the context of collaborative artistic performance. Following participation in an international competition held in Czech Republic in 2018, a team of ten artistic swimmers took part in the study. First, a self-assessment instrument was administered to rate the different aspects of togetherness emerging from their collective activity; second, interviews based on video recordings of their performance were conducted (...)
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  • Evaluating Interpersonal Synchrony: Wavelet Transform Toward an Unstructured Conversation.Ken Fujiwara & Ikuo Daibo - 2016 - Frontiers in Psychology 7.
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  • Impaired Maintenance of Interpersonal Synchronization in Musical Improvisations of Patients with Borderline Personality Disorder.Katrien Foubert, Tom Collins & Jos De Backer - 2017 - Frontiers in Psychology 8.
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  • Collective Rhythm as an Emergent Property During Human Social Coordination.Arodi Farrera & Gabriel Ramos-Fernández - 2022 - Frontiers in Psychology 12.
    The literature on social interactions has shown that participants coordinate not only at the behavioral but also at the physiological and neural levels, and that this coordination gives a temporal structure to the individual and social dynamics. However, it has not been fully explored whether such temporal patterns emerge during interpersonal coordination beyond dyads, whether this phenomenon arises from complex cognitive mechanisms or from relatively simple rules of behavior, or which are the sociocultural processes that underlie this phenomenon. We review (...)
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  • Easier Said Than Done? Task Difficulty's Influence on Temporal Alignment, Semantic Similarity, and Complexity Matching Between Gestures and Speech.Lisette De Jonge-Hoekstra, Ralf F. A. Cox, Steffie Van der Steen & James A. Dixon - 2021 - Cognitive Science 45 (6):e12989.
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  • Performance in a Collaborative Search Task: The Role of Feedback and Alignment.Moreno I. Coco, Rick Dale & Frank Keller - 2018 - Topics in Cognitive Science 10 (1):55-79.
    When people communicate, they coordinate a wide range of linguistic and non-linguistic behaviors. This process of coordination is called alignment, and it is assumed to be fundamental to successful communication. In this paper, we question this assumption and investigate whether disalignment is a more successful strategy in some cases. More specifically, we hypothesize that alignment correlates with task success only when communication is interactive. We present results from a spot-the-difference task in which dyads of interlocutors have to decide whether they (...)
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  • What the Jeweller’s Hand Tells the Jeweller’s Brain: Tool Use, Creativity and Embodied Cognition.Chris Baber, Tony Chemero & Jamie Hall - 2019 - Philosophy and Technology 32 (2):283-302.
    The notion that human activity can be characterised in terms of dynamic systems is a well-established alternative to motor schema approaches. Key to a dynamic systems approach is the idea that a system seeks to achieve stable states in the face of perturbation. While such an approach can apply to physical activity, it can be challenging to accept that dynamic systems also describe cognitive activity. In this paper, we argue that creativity, which could be construed as a ‘cognitive’ activity par (...)
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  • A Novel Computer-Based Set-Up to Study Movement Coordination in Human Ensembles.Francesco Alderisio, Maria Lombardi, Gianfranco Fiore & Mario di Bernardo - 2017 - Frontiers in Psychology 8.
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