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Body-and image-space: re-reading Walter Benjamin

New York: Routledge (1996)

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  1. Walter Benjamin, la embriaguez urbana y el despertar político de las masas.Nahuel Michalski - 2021 - Cuadernos de Filosofía 75.
    Partiendo de las tensiones conceptuales entre las obras tempranas y las de madurez de Walter Benjamin, el presente trabajo propone abordar sus reflexiones en torno a la crisis moderna de la experiencia política en el marco de la sociedad de masas a partir de dos perspectivas que involucran la noción de imagen, a saber: la corporal-perceptiva presente en sus referencias a la vida urbana y referida a afecciones psicofísicas como el olvido, el shock y la ensoñación, y la histórico-memoriosa desarrollada (...)
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  • Walter Benjamin.Peter Osborne - forthcoming - Stanford Encyclopedia of Philosophy.
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  • Einbahnstraße: la filosofía como obra de arte.Alejandro Emilio Wills - 2012 - Logos: Revista de la Facultad de Filosofia y Humanidades 22:123-147.
    The literary genesis of Einbahnstraße by Walter Benjamin represents a very special case of the use of the procedures of surrealism in the philosophical-literary production of the author. The process of evolution of thinking that ended up in the writing of this piece is unveiled throughout the present analysis. This is a sign of both waiver and restart; the opening for a new productive dimension in the career of one of the most important —and misunderstood— philosophers of the 20th century. (...)
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  • Thinking in painting : Gilles Deleuze and the revolution from representation to abstraction.Judy Purdom - unknown
    Reading with Gilles Deleuze, this thesis explores art as a production that abandons representation as a formation of identity in favour of an ontology of becoming. I argue that the move to abstraction in painting resonates with the aim of "thought without image" because it counters representation with a radical materiality that returns painting to the movement of matter. In order to situate Deleuze's thinking on art within a trajectory of a philosophy of becoming I open the thesis with a (...)
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