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  1. Beckett, Adorno and the Hope for Nothingness as Something: Meditations on Theology in the Age of Its Impossibility.Anna-Verena Nosthoff - 2018 - Critical Research on Religion 6 (1):35–53.
    This article discusses the theological implications of Adorno’s writings on Beckett by specifically examining their constellative motifs of death, reconciliation and redemption. It addresses not only their content but also their form, suggesting a mutually stimulating relationship between the two as based both on a negative-dialectical approach and an inverse-theological trajectory. Focusing on Adorno’s discussion of Beckett’s oeuvre as a “metaphysical entity,” I argue that Adorno’s reading of Beckett is peculiar because it is inextricably tied to his own critical-theological venture. (...)
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  • Artistic Truth.Andy Hamilton - 2012 - Royal Institute of Philosophy Supplement 71:229-261.
    According to Wittgenstein, in the remarks collected as Culture and Value , ‘People nowadays think, scientists are there to instruct them, poets, musicians etc. to entertain them. That the latter have something to teach them; that never occurs to them.’ 18th and early 19th century art-lovers would have taken a very different view. Dr. Johnson assumed that the poets had truths to impart, while Hegel insisted that ‘In art we have to do not with any agreeable or useful child's play, (...)
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  • Adorno’s Negative Dialectic: Theme, Point, and Methodological Status.Nicholas Joll - 2009 - International Journal of Philosophical Studies 17 (2):233–53.
    This paper provides a critical interpretation of the theme, point, and methodological status of Adorno’s so-called negative dialectic. The theme at issue, ‘non-identity’, comes in several varieties; and the point of Adorno’s dialectic, namely reconciliation, is multifaceted. Exploration of those topics shows that negative dialectic seques into substantive doctrines, including a version of transcendentalism and a claim about deformation. The peculiar methodological status of negative dialectic explains that adumbration. In the appraisive register, my principal contentions include these: Adorno’s transcendentalism makes (...)
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  • The Adequacy of the Aesthetic.Alan Singer - 1994 - Philosophy and Social Criticism 20 (1-2):39-72.
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  • What Goes Wrong in Habermas’s Pragmatic Justification of ?Juvénal Ndayambaje - 2017 - Dialogue 56 (1):89-110.
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