Este artículo plantea el problema de la multiplicación de comentarios en torno a la obra de Benjamin como una situación que ha de incidir en las metodologías de su interpretación. A través del tratamiento de dos términos precisos – teología y mesianismo – se argumenta la importancia de una crítica que tome en cuenta el contexto de recepción sociolingüístico del intérprete. Se busca así contribuir a generar metodologías que puedan abrir paso a tratamientos que propongan una recepción crítica renovada.

This article attempts to read the phenomenon of collective resistance in the Roman army of the Late Republic as political action. Taking my inspiration from post-colonial theories of popular power, I contend that we should not understand acts of collective resistance in military settings as simple events activated by a singular cause, but rather as expressions of individual and collective grievances with the status quo. Indeed, the variant practices of military recruitment in the Late Republic, and the exploitative nature of (...) Rome’s imperial rule put oppressed groups – Italians, provincials, and former slaves – in constant contact with the state apparatus. Thus, military service offered an essential space for political action in the first century BC. These findings help us to better understand how popular power could be realized beyond traditional institutional settings in this period. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)

In this thesis I argue that Foucault's dispersive historiography is a deepening rather than a purifying of historical existence. This emphasis upon dispersion as a critical principle is contrasted with, and delimited by the possibility of the narrative comprehension of historical existence exemplified by the hermeneutics of Paul Ricoeur. Insofar as the responsibility to act is an important field where tfphis deepening takes place it cannot be subordinated to the responsibility to otherness which aims at dismantling the action orientated frameworks (...) of traditional ethics and politics. Ricoeur's promotion of narrative refiguration as a response to the aporias of time is thus, a timely rejoinder to dispersive genealogy. I argue further that Foucault's historiography exhibits the productive tension of history as both difference and meaning and that the ethical thrust of such writing is to address the concerns of the present in a way that metamorphosizes rather than challenges the narrative function. Insofar as it connects with the struggles of disenfranchised and marginalized groups, and discourses, it also echoes a powerful element In traditional emancipatory historiography which attempts to fully embrace the slaughtered possibilities of the past The emancipatory potential of dispersive historiography is examined further by comparison with the aims and values of traditional critical theory. Two positions are delineated: Complementarity, in which genealogy produces valuable insights into hitherto unacknowledged power structures; Delimitation, in which Foucault's work is seen to be an important limitation on the epistemological and ontological interventions of critical theory. This JOIns the philosophical hermeneutical critique of critical theory In its delimitation of the finite horizon of all emancipatory discourse. Finally I argue that Foucault's work is itself limited by its refusal to countenance the utopian dimension of social reproduction in which the social imaginary is to be considered not as a delusory projection of desire, but as a driving force behind the projection of freedom. Dispersive freedom sees the formation of political, cultural, and social identities as always constraints upon the real practice of freedom. It is this marginalisation of liberation as a process with ends that I seek to dispute. I conclude that Foucault's dispersive principles are belied by the important contribution his work has made to the necessarily ceaseless task of the refiguration of the concepts of history, freedom, power and truth. (shrink)

This thesis situates recent tensions in debates about history over epistemology within their historical and social contexts. It explores the possibilities for developing historical understanding across epistemologies by considering the role ideas of justice can play in contemporary historical praxis. By considering historical praxis in relation to ideas of justice I have identified a nexus in which to explore different ways of knowing the past that is at once responsive to difference whilst also situating the ethical as an essential regulator (...) in determining meaningful, responsible and valid representations of the past. (shrink)

In the paper I am concerned with various manifestations of aesthetic fear and anxiety, that is, fear and anxiety triggered by works of art, which I am discussing from aesthetic as well as anthropological perspectives. I am analysing the link between fear and pleasure in catharsis, in Edmund Burke’s notion of the sublime, and in reference to Goya’s Black Paintings and to Paul Virilio’s thought. Both aesthetic fear and aesthetic anxiety exist alongside other emotions, such as pity and sadness, and, (...) most notably, with pleasure which is autonomous or arises from the fascination with evil. (shrink)