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  1. ‘Most rare workmen’: optical practitioners in early seventeenth-century Delft.Huib J. Zuidervaart & Marlise Rijks - 2015 - British Journal for the History of Science 48 (1):53-85.
    A special interest in optics among various seventeenth-century painters living in the Dutch city of Delft has intrigued historians, including art historians, for a long time. Equally, the impressive career of the Delft microscopist Antoni van Leeuwenhoek has been studied by many historians of science. However, it has never been investigated who, at that time, had access to the mathematical and optical knowledge necessary for the impressive achievements of these Delft practitioners. We have tried to gain insight into Delft as (...)
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  • Francesco Fontana (1580–1656) from practice to rules of calculation of lens systems.Yaakov Zik & Giora Hon - 2023 - Archive for History of Exact Sciences 78 (2):153-182.
    In 1646, Francesco Fontana (1580–1656) published his Novae Coelestium Terresriumque Rerum Observationes which includes discussions of optical properties of systems of lenses, e.g., telescope and microscope. Our study of the Novae Coelestium shows that the advance Fontana made in optics could not have been accomplished on the basis of the traditional spectacle optics which was the dominant practice at his time. Though spectacle and telescope making share the same optical elements, improving eyesight and constructing telescope are different practices based on (...)
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  • Chromatic aberration of eyepieces in early telescopes.M. Eugene Rudd - 2007 - Annals of Science 64 (1):1-18.
    Summary The twofold objective of this study is (1) to identify and give a brief review of the historical development of the various designs of early (pre-1850) telescope eyepieces, and (2) to determine by measurements and calculations the axial and lateral chromatic aberrations of a number of extant eyepieces from that period in order to provide basic data on which to judge the relative quality of different eyepiece forms. Eight distinct types of eyepieces containing one to five lens elements are (...)
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  • Inside the Kunstkammer: the circulation of optical knowledge and instruments at the Dresden Court.Sven Dupré & Michael Korey - 2009 - Studies in History and Philosophy of Science Part A 40 (4):405-420.
    The Kunstkammer of the Electors of Saxony, founded in Dresden around 1560, housed one of the richest collections of tools and scientific instruments in its day. A close analysis of the optical objects in the collection in the decades around 1600 is undertaken here—in particular, their arrangement by a mathematically trained curator, Lucas Brunn, and their use in an ‘experiment’ by a distinguished visitor, Johannes Kepler. It is argued that the selection, display and use of optical objects within this collection (...)
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