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Richard Wollheim (1971). Art and its Objects.

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  1.  92
    Expressive Perception as Projective Imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.
    I argue that our experience of expressive properties (such as the joyfulness or sadness of a piece of music) essentially involves the sensuous imagination (through simulation) of an emotion-guided process which would result in the production of the properties which constitute the realisation of the expressive properties experienced. I compare this proposal with arousal theories, Wollheim’s Freudian account, and other more closely related theories appealing to imagination such as Kendall Walton’s. I explain why the proposal is most naturally developed in (...)
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  2.  3
    Moving Images: Fifth-Century Victory Monuments and the Athlete's Allure.Deborah Steiner - 1998 - Classical Antiquity 17 (1):123-150.
    This article treats representations of victors in the Greek athletic games in the artistic and poetic media of the early classical age, and argues that fifth-century sculptors, painters and poets similarly constructed the athlete as an object designed to arouse desire in audiences for their works. After reviewing the very scanty archaeological evidence for the original victory images, I seek to recover something of the response elicited by these monuments by looking to visualizations of athletes in contemporary vase-painting and literary (...)
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  3. On Artifacts and Works of Art.Risto Hilpinen - 1992 - Theoria 58 (1):58-82.
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  4.  34
    The Expression Theory Again.Stephen Davies - 1986 - Theoria 52 (3):146-167.
  5.  22
    The Usefulness of 'Aesthetic Education'.Alan Simpson - 1985 - Journal of Philosophy of Education 19 (2):273–280.
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  6.  10
    The Proper Object of Vision.Gary Thrane - 1975 - Studies in History and Philosophy of Science Part A 6 (1):3-41.
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