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Institutions of Art: Reconsiderations of George Dickie's Philosophy

Pennsylvania State University Press (1993)

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  1. Weitz's Legacy.Frank Boardman - 2015 - American Society for Aesthetics Graduate E-Journal 7 (1).
    One common way of framing the recent history of definitional theories of art has it that Wittgensteinian challenges to the definitional project were not successful in establishing the impossibility of a successful definition, but they were successful in providing limits on the kinds of theories that can work. A key part of this story concerns Morris Weitz’s argument that “art” is indefinable because art is – as he calls it – an “open concept”. The argument has since been refuted by (...)
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