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Nick Zangwill (2001). Formal Natural Beauty.

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  1.  2
    Aesthetics of Nature, Constitutive Goods, and Environmental Conservation: A Defense of Moderate Formalist Aesthetics.Jennifer Welchman - 2018 - Journal of Aesthetics and Art Criticism 76 (4):419-428.
    Scientific cognitivists argue formalist aesthetics of nature are (i) inadequate for appreciating the full range of nature’s aesthetic values and (ii) too subjective to be useful for defending nature conservation. I argue that (i) is false because moderate formalists can appreciate nature for its performances, not merely objects and vistas. I argue (ii) is false because moderate formalists can argue that appreciation of beauty (including natural beauty) is a constitutive good of human flourishing, whose realization relies on access to a (...)
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  2.  76
    The Ethics of De-Extinction.Shlomo Cohen - 2014 - NanoEthics 8 (2):165-178.
    “de-extinction” refers to the process of resurrecting extinct species by genetic methods. This science-fiction-sounding idea is in fact already in early processes of scientific implementation. Although this recent “revival of the dead” raises deep ethical questions, the ethics of de-extinction has barely received philosophical treatment. Rather than seeking a verdict for or against de-extinction, this paper attempts an overview and some novel analyses of the main ethical considerations. Five dimensions of the ethics of de-extinction are explored: (a) the possible contribution (...)
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  3.  77
    Aesthetic Appreciation of Nature and Environmentalism.Allen Carlson - 2011 - Royal Institute of Philosophy Supplement 69:137-155.
    This article is a response to yuriko saito's "is there a correct aesthetic appreciation of nature?" (jae 18:4) which challenges the position on the aesthetic appreciation of nature that i develop in a series of recent articles. i here consider saito's arguments, concluding that they neither establish the correctness of a wide range of kinds of aesthetic appreciations of nature nor undercut the grounds for the prominence i grant to scientific considerations in such appreciation.
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  4.  31
    The Aesthetics of Nature.Glenn Parsons - 2007 - Philosophy Compass 2 (3):358–372.
  5.  32
    Theory, Observation, and the Role of Scientific Understanding in the Aesthetic Appreciation of Nature.Glenn Parsons - 2006 - Canadian Journal of Philosophy 36 (2):165-186.
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  6.  88
    Budd and Brady on the Aesthetics of Nature. [REVIEW]Allen Carlson - 2005 - Philosophical Quarterly 55 (218):106 - 113.
    This essay is a critical notice of Malcolm Budd's _The Aesthetics of Nature (Oxford, 2002) and Emily Brady's _Aesthetics of the Natural Environment (Edinburgh, 2003). I argue that, although each of the volumes makes an important contribution to our understanding of the aesthetic experience of nature, the accounts of aesthetic appreciation of nature that are developed by Budd and Brady are each somewhat defective in that neither grants an adequate role to knowledge in such appreciation, and specifically to scientific knowledge.
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