Abstract
The article is devoted to the Russian Symbolist poet Vyacheslav Ivanov’s perception of Evgeny Boratynsky’s poetry. The specific focus is on Ivanov’s interest concerning the way Boratynsky’s lyrics relate to his philosophy of art. The article examines various types of lyrics in which Ivanov echoes Boratynsky’s poetry. One of these is a revival of the genre of “friendly epistles,” a genre that was popular in Russian poetry of the Golden Age. In poems of this type, Ivanov uses some of the artistic principles typical of “Pushkin era” poems and refers to Boratynsky’s works. The article features Ivanov’s address to Boratynsky in the poem “Before Boratynsky’s portrait,” which serves Ivanov as a means to express his main aesthetic concepts. The article concludes with a suggestion that one of the reasons why these poets belong to the tradition of “the poetry of thought” is the influence of Goethe on both.
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Notes
Both forms—Boratynsky and Baratynsky—are used equally commonly.
In the Brussels collected works of Ivanov the text of the poem is printed with the mark “undeciphered word.” Modern researchers of Ivanov's poetry were able to read the word “kost’” (“bone”) in the manuscript of the poem.
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Acknowledgements
The research was carried out at the A. M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS) funded by a grant from the Russian Science Foundation (RSF, Project No. №17-18-01432-П).
Funding
This study was funded by a grant from the Russian Science Foundation (RSF, Project No. №17-18-01432-П).
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Anokhina, Y.Y. «Snovidets Mnemoziny»: dreaming of Mnemosyne: Evgeny Boratynsky’s poetry in Vyacheslav Ivanov’s aesthetics. Stud East Eur Thought 72, 279–290 (2020). https://doi.org/10.1007/s11212-020-09396-w
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DOI: https://doi.org/10.1007/s11212-020-09396-w