We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
MELODIC CONTOUR AND THE SIGNIFICANCE OF RULES OF MUSICAL STYLE.
- Authors
Barbu-Iuraşcu, Viorica
- Abstract
Tarasti states that music has been understood as a signifying practice from baroque to Viennese classicism through to romanticism and modernism. Palmer holds that musicians can replicate their expressive patterns of timing and dynamics for a given musical piece with high precision. Hargreaves et al. suggests that music can be used increasingly as a means by which we formulate and express our individual identities. Schachter asserts that there is a gulf between musicians who find notes and the sounds they represent worthy objects of close study, and those who do not. Kivy argues that music alone is a quasisyntactic structure of musical properties (some of which are describable in phenomenological terms).
- Publication
Linguistic & Philosophical Investigations, 2008, Vol 7, p313
- ISSN
1841-2394
- Publication type
Academic Journal