Cosmopolitan Criticism: Oscar Wilde's Philosophy of ArtCALLING OSCAR WILDE'S philosophy of art his "most elusive legacy," Brown attempts to define Wilde's conception of what art is and what it is not, of what the experience of art means in the modern world, and of the contradictory relations between the work of art and the sphere of everyday ethics. She traces the experimental character of Wilde's thought from its resonance in his own life through its development within the tradition of aesthetic philosophy, ultimately focusing on his sense of the equivocal and diminishing presence of art in the postindustrial world. |
Contents
Wildes PlayDrive and the Still More | 1 |
Wilde and His Predecessors | 23 |
Wildes Reassociation of Sensibility | 51 |
Wildes Philosophy of Art | 69 |
Other editions - View all
Cosmopolitan Criticism: Oscar Wilde's Philosophy of Art Julia Prewitt Brown No preview available - 1997 |
Common terms and phrases
achieve aestheticism Arnold art and truth Baudelaire beauty become Benjamin Carlyle century chapter character Christ Christian cism concept conscious context contradiction cosmopolitan criticism Critic as Artist Culture and Anarchy Decay of Lying dialogue Dorian Gray Douglas Earnest Either/Or Ellmann emphasis English essay ethical ethics and aesthetics everything existence experience fate genius Gide homosexual human Ibid ical idea ideal Importance individual influence intellectual Kant Kierkegaard Lady Windermere's Fan language letter literary live Madame de Staël means meditation ment mopolitan moral never Nietzsche Nietzsche's one's oneself opposition Oscar Wilde Oxford painting paradoxical Pater person philosophical Picture of Dorian plays pleasure political possible Pre-Raphaelites prison problem Profundis Wilde prose question realize reception relation Renaissance Ruskin Salomé sense social society soul spirit suggests theory thetic thing thought tion tradition transcend true truth Victorian Walter Benjamin Wilde writes Wilde's Wilde's cosmopolitan word wrote Yeats