Impressionism: A Feminist Reading: The Gendering Of Art, Science, And Nature In The Nineteenth CenturyAn original interpretation of Impressionism and nineteenth-century art and culture by a noted feminist art historian. This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the crit |
Contents
PREFACE | |
PART I | |
NOTES | 1 |
INDEX | 56 |
Impressionism and Science | 33 |
The Gendering of Impressionism | 62 |
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Common terms and phrases
aesthetic art historian artists attitude Barbizon painters Barbizon school Bazille Boudin Broude Calotype Camille Pissarro canvases Charles François Daubigny Claude Monet Clemenceau color colorplates Constable's contemporary Corot critic cultural Daubigny's Delacroix Diego Martelli Duranty Duranty's early effect eighteenth emotion essay example exhibition experience expression female feminine Fénéon finished France French GARE SAINT-LAZARE gendered German Ibid impression Impressionism Impressionist landscape Impressionists J. M. W. Turner Johan Barthold Jongkind John Constable Jongkind Jules Laforgue Laforgue landscape painters later letter light London luminary Macchiaioli masculine modern motif Musée Museum of Art National Gallery nature Neo-Impressionism nineteenth century objective observation originality Paris period philosophy Photograph plein-air pochade positivism positivist reality relationship Rewald Romantic landscape Romantic tradition Romanticism Salon scientific scientists sensations Seurat Shiff Signac sketch studies style subjectivity Symbolism Symbolist technique Théodore Rousseau theory tonal Turner twentieth century University Press values visual writings wrote York