Abstract
In this introduction to the special issue on viewpoint phenomena in multimodal communication, we highlight central questions concerning the nature of multimodality and of conceptual viewpoint, which the issue as a whole expands and clarifies. We argue that multimodality needs to be rethought as a varied but cohesive phenomenon, and we briefly illustrate both embodied multimodal interaction (in an example from stand-up comedy) and the meaning emergence in artifacts relying on both text and image (in an example of a poster with an environmental message). Correspondingly, the category of multimodal constructions already recognized for embodied interactions should be expanded to cover conventionalized image/text combinations. Finally, we stress that viewpoint is the pivotal concept that elucidates how communicators use the various modalities for cohesive communicative purposes across the wide range of artifacts and multimodal forms discussed in the special issue, including gesture in political speeches, viewpoint in comics, grammatical forms in Internet memes, ASL, stance expressions, eye gaze, and embodied responses to objects and architectural artifacts.
Funding statement: The authors gratefully acknowledge the support provided by KU Leuven (Senior Fellowship, SF/16/004) which allowed Barbara Dancygier to carry out research at KU Leuven (September-December 2016) and which greatly facilitated our joint work on this project.
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