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The Holy, Catholic Theater: Exegesis of Life on the Stage

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Abstract

This article explores the theological/philosophical resonances of the theater. “Holy” and “catholic” are the key terms that shape the reflection. The holy is masked in the ordinary details of plays and musicals. Thus, it is fitting to say that the theater is “God-haunted,” a place of transcendence and transformation. The catholicity of the theater is found in acknowledging its inherent commitment to telling the whole truth, or at least endeavoring to tell what is true, about human existence. We are by nature story-telling creatures, and the narratives embodied in the theater aid in interpreting and reflecting on mystery and truth, in the exegesis of our lives and of our way of being in the world. Two plays and a musical are representative anecdotes that flesh out the ideas advanced in the essay—Equus, Auntie Mame, and A Chorus Line.

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Notes

  1. It was in 1962 that St. Clement’s began a ministry to the theater arts community under the leadership of the Reverend Sydney Lanier, the church’s Vicar at that time.

  2. MacIntyre (1984, p. 216).

  3. Küng (1981, p. 28).

  4. Brook (1968, pp. 48, 71).

  5. Shaffer (1973, p. 10).

  6. Burke (1969, p. 55).

  7. Equus, p. 46.

  8. Equus, p. 100.

  9. Equus, pp. 108–109.

  10. Lawrence and Lee (1999, p. 28).

  11. Auntie Mame, p. 31.

  12. Auntie Mame, p. 36.

  13. Auntie Mame, p. 87.

  14. Hamlisch (1995, p. xviii).

  15. A Chorus Line, p. 8.

  16. A Chorus Line, p. 9.

  17. A Chorus Line, pp. 13, 18.

  18. A Chorus Line, p. 16.

  19. A Chorus Line, p. 22.

  20. A Chorus Line, p. 30.

  21. A Chorus Line, p. 129.

  22. A Chorus Line, p. 135.

  23. A Chorus Line, p. 138.

  24. A Chorus Line, p. 105.

  25. A Chorus Line, p. 106.

  26. LaCugna (1991, p. 271).

  27. LaCugna, p. 274.

  28. Hall (1986, p 123).

  29. Macquarrie (1977, pp 348–349).

References

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Correspondence to Mitties McDonald DeChamplain.

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DeChamplain, M.M. The Holy, Catholic Theater: Exegesis of Life on the Stage. Topoi 30, 157–163 (2011). https://doi.org/10.1007/s11245-011-9093-8

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