Skip to main content

Architecture

  • 273 Accesses

Abstract

During the Renaissance in Europe, between roughly 1300 and 1650, a number of intellectual discourses and practices helped shape the discipline of architecture. This article is not about canonical buildings or the evolution of distinctive stylistic characteristics but rather six key topics within an overall threefold structure: heritage and rupture with the tradition, innovative and original aspects, and impact and legacy. The six topics are geometry as the scientific foundation of architecture; humanism, antiquarianism, and the recovery of ancient architecture; architectural histories and the creation of an all’antica architecture; the canonization of the architectural orders; the production of architectural theory; and disegno and the use of architectural drawings. Intellectual history, rather than an art history of styles, is the general approach. It begins with a history of the term “Renaissance” and its application to architecture.

This is a preview of subscription content, log in via an institution.

References

  • Alberti, Leon Battista. 1988. On the art of building in ten books. Trans. J. Rykwert et al. Cambridge MA: MIT Press.

    Google Scholar 

  • Bork, Robert Odell. 2011. The geometry of creation: architectural drawing and the dynamics of gothic design. Farnham: Ashgate.

    Google Scholar 

  • Burckhardt, Jacob. 1860. Die Kultur der Renaissance in Italien. Basel: Schweighauser.

    Google Scholar 

  • Carpo, Mario. 2003. Drawing with numbers: geometry and numeracy in early modern architectural design. Journal of the Society of Architectural Historians 62: 448–469.

    Article  Google Scholar 

  • Caye, Pierre. 2008/09. L’invention du projet dans la théorie de l’architecture de la Renaissance et l’origine de la technique moderne. Albertiana 11/12: 5–57.

    Google Scholar 

  • Chatenet, Monique. 2011. Le Gothique de la Renaissance: actes des quatrième rencontres d’architecture européenne, Paris, 12–16 juin 2007. Paris: Picard.

    Google Scholar 

  • Clarke, Georgia. 2003. Roman house–renaissance palaces: Inventing antiquity in fifteenth century Italy. Cambridge, MA: Cambridge University Press.

    Google Scholar 

  • Séroux d’Agincourt, Jean Bastiste Louis Georges. 1823. Histoire de l’art par les monumens, depuis sa décadence au IVe siècle jusqu’à son renouvellement au XVIe. Paris: Treuttel et Würtz.

    Google Scholar 

  • Didi-Huberman, Georges. 2005. Confronting images: Questioning the ends of a certain history of art. University Park: Penn State Press. (Original French edition, 1990).

    Google Scholar 

  • Evers, Bernd and Christof Thoenes. 2003. Architekturtheorie von der Renaissance bis zur Gegenwart. Cologne: Taschen.

    Google Scholar 

  • Fane-Saunders, Peter. 2016. Pliny the elder and the emergence of Renaissance architecture. Cambridge, UK: Cambridge University Press.

    Book  Google Scholar 

  • Filarete. 1965. Treatise on architecture. Ed. And trans. J. R. Spencer. New Haven: Yale University Press.

    Google Scholar 

  • Frommel, Sabine, and Antonio Brucculeri. 2012. L’idée du style dans l’historiographie artistique: Variantes nationales et transmissions. Rome: Campisano.

    Google Scholar 

  • Günther, Hubertus. 2009. Was ist Renaissance? Eine Charakteristik der Architektur zu Beginn der Neuzeit. Darmstadt: Wissenschaftliche Buchgesellschaft.

    Google Scholar 

  • Hiscock, Nigel. 2007. The symbol at your door: number and geometry in religious architecture of the Greek and Latin Middle Ages. Aldershot: Ashgate.

    Google Scholar 

  • Hubert, Hans W. 2005. Architekturzeichnung. In Enzyklopädie der neuzeit, ed. Friedrich Jaeger, 614–623. Stuttgart: Wissenschaftliche Buchgesellschaft.

    Google Scholar 

  • Kavaler, Ethan Matt. 2012. Renaissance Gothic: architecture and the arts in Northern Europe, 1470–1540. New Haven: Yale University Press.

    Google Scholar 

  • Merrill, Elizabeth M. 2013. The trattato as textbook: Francesco di Giorgio’s vision for the Renaissance architect. Architectural Histories 1(1): Art. 20. doi: http://dx.doi.org/10.5334/ah.at

    Google Scholar 

  • Millon, Henry A., and Vittorio M. Lampugnani. 1994. The Renaissance from Brunelleschi to Michelangelo: The representation of architecture. London: Thames and Hudson.

    Google Scholar 

  • Nagel, Alexander, and Christopher S. Wood. 2005. Toward a new model of Renaissance anachronism. The Art Bulletin 87: 403–415.

    Article  Google Scholar 

  • Pauwels, Yves. 2012. L’architecture de la Renaissance entre ratio mathématique et ars rhétorique. Seizième siècle 8: 19–27.

    Article  Google Scholar 

  • Payne, Alina A. 1999. The architectural treatise in the Italian Renaissance: Architectural invention, ornament, and literary culture. Cambridge: Cambriddge University Press.

    Google Scholar 

  • Sankovitch, Anne-Marie. 2001. The myth of the ‘myth of the medieval’: Gothic architecture in Vasari’s rinascita and Panofsky’s Renaissance. RES: Anthropology and Aesthetics 40: 29–50.

    Google Scholar 

  • Smith, Christine. 1992. Architecture in the culture of early humanism: Ethics, aesthetics, and eloquence, 1400–1470. Oxford: Oxford University Press.

    Google Scholar 

  • Trachtenberg, Marvin. 2010. Building-in-time from Giotto to Alberti and modern oblivion. New Haven: Yale University Press.

    Google Scholar 

  • Thoenes, Christof and Hubert Günther. 1985. Gli ordini achitettonici: rinascita o invenzione? Parte seconda. In Roma e l’antico nell’arte e nella cultura del Cinquecento, ed. Marcello Fagioli, 272–310. Rome: Istituto della Enciclopedia italiana.

    Google Scholar 

  • Vasari, Giorgio. 1550. Le vite de più eccellenti architetti, pittori, et scultori italiani, da Cimabue insino a’tempi nostri. Florence: Torrentino.

    Google Scholar 

  • Vasari, Giorgio. 1568. Le vite de’ più eccellenti pittori, scultori, e architettori. Florence: Giunti.

    Google Scholar 

  • Waters, Michael J.A. 2012. Renaissance without order: Ornament, single-sheet engravings, and the mutability of architectural prints. Journal of the Society of Architectural Historians 71: 489–523.

    Google Scholar 

  • Wölfflin, Heinrich. 1915. Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwickelung in der neueren Kunst. Munich: Bruckmann.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Nele De Raedt .

Editor information

Editors and Affiliations

Section Editor information

Rights and permissions

Reprints and permissions

Copyright information

© 2016 Springer International Publishing AG

About this entry

Cite this entry

De Raedt, N. (2016). Architecture. In: Sgarbi, M. (eds) Encyclopedia of Renaissance Philosophy. Springer, Cham. https://doi.org/10.1007/978-3-319-02848-4_660-1

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-02848-4_660-1

  • Received:

  • Accepted:

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-02848-4

  • Online ISBN: 978-3-319-02848-4

  • eBook Packages: Springer Reference Religion and PhilosophyReference Module Humanities and Social SciencesReference Module Humanities

Publish with us

Policies and ethics

Chapter history

  1. Latest

    Architecture and Renaissance
    Published:
    18 October 2019

    DOI: https://doi.org/10.1007/978-3-319-02848-4_660-2

  2. Original

    Architecture
    Published:
    28 January 2017

    DOI: https://doi.org/10.1007/978-3-319-02848-4_660-1