Aesthetics and Theory of Art

absolute pitch achieve activity actor actual aesthetic attitude aesthetic experience aesthetic object aesthetic value aestheticians appear architecture artistic beautiful become bodily called cerned character color comic complementary color concept connection consciousness course creative definite distinguish drama drawing effect elements emotional empathy enjoyment essential evoke example expression fact feeling figurative art Goethe golden section Gottfried Keller hand Hans Cornelius harmony Hegel Hence human ideas images imagination impression individual inner intuitive language lines Max Dessoir means melody ment mental merely metaphysics mind mood movement nature painter painting peculiar person picture plastic art play pleasure poet poetic poetry portray primitive psychological pure question reality realm relation rhythm rhythmic Richard Wagner seems sense sensory significance soul sound spatial speak spiritual stage sure temporal theater Theodor Lipps theory things thought tion tonal tones unity usually visual whole words