Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-06-03T10:29:16.802Z Has data issue: false hasContentIssue false

Birds, grandfathers, and neoteric sorcery in Aeneid 4.254 and 7.4121

Published online by Cambridge University Press:  11 February 2009

Julia T. Dyson
Affiliation:
University of Texas at Arlington

Extract

On his way to convey Jupiter's rebuke to Aeneas, Mercury passes by his maternal grandfather Atlas, a mountain vividly personified as an old man with snowy beard/frozen rivers running down his chin (4.249–51). Here he pauses, then flings himself into the waves (4.253–4):

Type
Shorter Notes
Copyright
Copyright © The Classical Association 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

2 See Clausen, W., Virgil's Aeneid and the Tradition of Hellenistic Poetry (Berkeley, 1987), pp. 2324 for an example of such temporary ambiguity at Aen. 4.124Google Scholar; Perkell, C., The Poet's Truth (Berkeley, 1989), pp. 57Google Scholar; O'Hara, J., Colby Quarterly 30 (1994), 221Google Scholar; Weber, C., Vergilius 41(1995), 2830Google Scholar; and Horsfall, N., A Companion to the Study of Virgil (Leiden, 1995), p. 229Google Scholar

3 See O'Hara, J., True Names (Ann Arbor, 1996), p. 190Google Scholar, and Ahl, F., Metaformations (Ithaca, 1985), p. 265Google Scholar: ‘Hence we have: “a place, once called ARDea by our ancestors”, with undertones of “a place, ARDea, once called a bird”.‘ Ovid seems to have noticed this wordplay. Taking the cue from Virgil's manet Ardea nomen, he shows a heron rising from the ashes of the fallen city: ’nomen quoque mansit in illa‘urbis, et ipsa suis deplangitur Ardea pennis’ (Met. 14.579–80).

4 Thomas, R., PLLS 5 (1986), 66.Google Scholar