Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-06-08T11:28:17.467Z Has data issue: false hasContentIssue false
  • English
  • Français

Intersecting Views on the Exhibition “elles@centrepompidou”

Published online by Cambridge University Press:  01 January 2024

Nathalie Ernoult  and
Catherine Gonnard
Nathalie Ernoult
Affiliation:
Paris
Catherine Gonnard
Affiliation:
Femmes artistes/artistes femmes
Get access Rights & Permissions [Opens in a new window]

Extract

Nowadays it's difficult to ignore the increasing importance of women artists on the international art scene. The majority of art students are female and women artists are gradually making a name for themselves in an art market till recently dominated by men. Museums are beginning, very hesitantly, to recognize women's work (monographs, exhibits of feminist art, etc.); academic studies have focused on them more and more, and recently a comprehensive study published by Elisabeth Lebovici and Catherine Gonnard has brought a number of women artists out of the shadows.

Type
Articles
Information
Diogenes , Volume 57 , Issue 1 , February 2010 , pp. 151 - 155
Copyright
Copyright © ICPHS 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. An exhibition at the National Museum of Modern Art, Pompidou Center, Paris, France, from May 27, 2009 to June 2010.

2. Catherine Gonnard and Elisabeth Lebovici, Femmes artistes, Artistes femmes (Paris, 2007: Hazan)

3. “Wack! Art and the Feminist Revolution,” the Museum of Contemporary Art, Los Angeles, California, March 4, 2007—July 16, 2007; “Global Feminisms,” the Brooklyn Museum of Art, Brooklyn, New York, March 23, 2007—July 1, 2007; “Kiss Kiss Bang Bang: 45 Years of Art and Feminism,” Museo de Belles Artes, Bilbao, Spain, June 11, 2007—September 9, 2007 [Translator ‘s note].