ZEITSCHRIFTENARTIKEL
Through the Looking Glass – Dioramas, Bodies, and Performances in New York
Zeitschrift für Medien- und Kulturforschung, Bd. 11 (2020), Iss. 0: S. 23–39
3 Citations (CrossRef)
Zusätzliche Informationen
Bibliografische Daten
Etienne, Noémie
Cited By
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Encyclopedia of Phenomenology
Medieval Philosophy and Phenomenology
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Encyclopedia of Phenomenology
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https://doi.org/10.1007/978-3-030-47253-5_390-2 [Citations: 0]
Abstract
Dioramas are multimedia installations used in museums and popular culture since the 19th century. I study two sets of anthropological dioramas: the ones made for the Museum of Natural History in New York by Franz Boas; and the ones fabricated at the New York State Museum in Albany by Arthur C. Parker. As I will show, dioramas are not only visual dis- plays but also installations with a proper materiality and temporality: they are the stage of multiple performances and work as contact zones between objects, models, makers, and beholders.
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