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A Goddess and a Pañcāyat President: Narrative, Sanctity, and Authority in Rural Tamil Nadu

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Abstract

In an examination of the interdependent relationship between narrative and ritual, this article discusses a ritual dilemma solved through narrative to explore how narrative sustains authority usually enacted, validated, and supported by ritual practice. In the Tamil village of Nagamalai Pudukkottai, Jeyakumar, the pañcāyat president, must perform as a cāmiyāti (“god dancer”) possessed by the village’s most powerful form of divinity, Taṭātakai Ammaṉ, to substantiate his family’s long lineage of traditional authority. For seventeen years, however, Jeyakumar was unable to substantiate his authoritative claim through ritual; instead, he and his constituents relied on narratives, including a migration myth. Narrative did not replace the importance of ritual in Nagamalai Pudukkottai, but rather, the usually obligatory tie to the goddess was deferred and his legitimacy was maintained through narrative. Village claims to authority depend upon negotiating the connections among the village migration myth, the local goddess temple myth, personal experience narratives, and everyday conversational narratives and stories. Each of these narrative genres claims authority differently but works as part of an interdependent folklore system to confirm the village’s sacrality and leadership. Jeyakumar’s authority is further strengthened by local folk mythologies that integrate nearby Madurai’s more formalized Mīnākṣī tradition into local religiosity surrounding Taṭātakai Ammaṉ.

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Acknowledgements

For an article that I have thought about for a decade and a half and that was in process for nearly two years, the people I wish to thank for their comments has steadily increased: Katherine Borland, Corinne Dempsey, Joyce Burkhalter Flueckiger, William Harman, Kirin Narayan, Dorothy Noyes, Velcheru Narayana Rao, and Hugh Urban. I extend special heartfelt thanks to Amy Shuman for her meticulous feedback, her keen insight, and the time she made to engage in in-depth discussions with me about narrative. I also remain indebted to Joseph Elder for his unfailing excitement and willingness to talk with me about Mīnākṣī (or anything India related) over the past two decades. In Madurai, I am grateful to have had the unmatched local expertise of J. Rajasekeran, who accompanied me to the village on several occasions, and of Lakshmana Perumal Bharathy, who first guided me in translating these narratives from Tamil in 2002/2003 as a participant on the University of Wisconsin- Madison College Year in India Program. Finally, I offer immense gratitude to K. P. Jeyakumar of Nagamalai Pudukkottai and his family for so generously sharing their lives and rich narrative repertoire with me. The epilogue was made possible by a Chennai-based William J. Fulbright Scholarship and an Arts and Humanities Small Grant through the Ohio State University that supported my return to Nagamalai Pudukkottai in 2017. This essay was awarded the 2017 Don Yoder Prize for Best Graduate Student Paper on Religious Folklife, presented by the American Folklore Society.

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Correspondence to Amanda Randhawa Greenbaum.

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Greenbaum, A.R. A Goddess and a Pañcāyat President: Narrative, Sanctity, and Authority in Rural Tamil Nadu. Hindu Studies 23, 283–308 (2019). https://doi.org/10.1007/s11407-019-09265-0

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