Abstract
Performativity and performance of language are the subject of this re-writing of Derrida's position on the gift. Here the source of performativity is Althusser's while the source of the gift is not only Marcel Mauss, but also both the opening of Derrida's Given Time: I, Counterfeit Money and the signing through letters of Madame de Maintenon, wife of Louis XIV and founder of a school for girls. A third writing plays a role, that of a 1910 biography of Madame. The paper is a ‘relay,’ a ‘re-play’ of the positions of the central ‘characters,’ -- Derrida and Maintenon -- and a semiology of their writings. Out of this a new ‘gift of pedagogy’ is evoked in a conception of ‘pedagogical retreat.’
Similar content being viewed by others
References
Althusser, L.: 1971, ‘Ideology and Ideological State Apparatuses', in Lenin and Philosophy and Other Essays, B. Brewster (Trans), New Left Books, London.
Butler, J.: 1997a, Excitable Speech: A Politics of the Performative, Routledge, New York and London.
Butler, J.: 1997b, ‘Sovereign Performatives in the Contemporary Scene of the Utterance’, Critical Inquiry, 23(2), 350–377.
Derrida, J.: 1992, Given Time. I, Counterfeit Money, P. Kamuf (Trans), The University of Chicago Press, Chicago.
Derrida, J.: 1993, 1995, ‘Khôra’, in T. Dutoit (ed.), On the Name, I. McLeod (Trans), Stanford University Press, Stanford.
Dyson, C.: 1910, Madame de Maintenon, Her Life and Times 1635–1719, John Lane the Bodely Head, London.
Jabes, E.: 1996, The Little Book of Unsuspected Subversion, R.Waldrop (Trans), Stanford University Press, Stanford.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Gregoriou, Z. Letter Writing and the Performativity of Intimacy in Female Pedagogical Relations: Recuperating Derridean Amnesia, Writing Back to Madame de Maintenon. Studies in Philosophy and Education 18, 351–363 (1999). https://doi.org/10.1023/A:1005293126383
Issue Date:
DOI: https://doi.org/10.1023/A:1005293126383