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Data and Theory in Aesthetics: Philosophical Understanding and Misunderstanding

Published online by Cambridge University Press:  08 January 2010

Extract

This paper has a twofold structure: both parts concern philosophy's understanding (or misunderstanding) of its data—in the area of aesthetics. The first part (I) considers aesthetics as philosophy of art: the second part (II) considers aesthetics as concerned also with the appreciation of nature.

Type
Papers
Copyright
Copyright © The Royal Institute of Philosophy and the contributors 1996

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References

1 Art and Engagement (Philadelphia: Temple University Press, 1991), p. 32.Google Scholar It is not unfair to quote Berleant as urging respect for current trends and critical appraisals of the arts, though his overall position in that book is much too complex to be summed up in that way.

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4 Quoted in my essay ‘Findlay's Aesthetic Thought’, in Cohen, , Martin, and Westphal, , Studies in the Philosophy of J. N. Findlay (Albany, NY: State University of New York Press, 1985), p. 194Google Scholar; see The Transcendence of the Cave (London: Allen and Unwin, 1967), p. 217Google Scholar. I owe a substantial debt to Findlay's writing.

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8 Ibid. pp. 21 Of, 108f.

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15 Paper read at the First International Conference on Environmental Aesthetics in Koli, Finland, in the summer of 1994.

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