Skip to main content
SpringerLink
Log in

Painting, History, and Experience

  • Published:
Philosophical Studies Aims and scope Submit manuscript

This is a preview of subscription content, log in via an institution to check access.

Access this article

Log in via an institution

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Institutional subscriptions

References

  • J. Ackerman (1966) Palladio Penguin Harmondsworth

    Google Scholar 

  • M. Beardsley (1958) Aesthetics: Problems in the Philosophy of Criticism Harcourt, Brace, and World New York

    Google Scholar 

  • A.C. Danto (1981) The Transfiguration of the Commonplace: A Philosophy of Art Harvard University Press Cambridge

    Google Scholar 

  • A.C. Danto (1991) ‘Description and the Phenomenology of Perception’ N. Bryson M.A. Holly K. Moxley (Eds) Visual Theory: Painting and Interpretation Blackwell Oxford 201–215

    Google Scholar 

  • A.C. Danto (2001) ArticleTitleSeeing and Showing Journal of Aesthetics and Art Criticism 59 1–9

    Google Scholar 

  • O. Figes (2002) Natasha’s Dance: A Cultural History of Russia Penguin London

    Google Scholar 

  • N. Goodman (1969) Languages of Art Oxford University Press Oxford

    Google Scholar 

  • R. Hopkins (2005) ArticleTitleAesthetics, Experience, and Discrimination Journal of Aesthetics and Art Criticism 63 119–133 Occurrence Handle10.1111/j.0021-8529.2005.00189.x

    Article  Google Scholar 

  • A. Lessing (1965) ArticleTitleWhat is Wrong with a Forgery Journal of Aesthetics and Art Criticism 23 461–472

    Google Scholar 

  • M.G.F. Martin (1997) ‘The Reality of Appearances’ M. Sainsbury (Eds) Thought and Ontology FrancoAngeli Milan 81–106

    Google Scholar 

  • D.W. Prall (1929) Aesthetic Judgement Crowell New York

    Google Scholar 

  • K. Walton (1970) ArticleTitleCategories of Art Philosophical Review 79 334–367

    Google Scholar 

  • T. Williamson (1990) Identity and Discrimination Blackwell Oxford

    Google Scholar 

  • R. Wollheim (1980) Art and Its Objects EditionNumber2 Cambridge University Press Cambridge

    Google Scholar 

  • R. Wollheim (1987) Painting as an Art Thames and Hudson London and New York

    Google Scholar 

  • R. Wollheim (1993) ‘Danto’s Gallery of Indiscernibles’ M. Rollins (Eds) Danto and His Critics Blackwell Oxford 28–38

    Google Scholar 

  • R. Wollheim (2005) ArticleTitleWhy is Drawing Interesting? British Journal of Aesthetics 45 1–10

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. Department of Philosophy, University of Sheffield, S10 2TN, Sheffield, UK

    Robert Hopkins

Authors
  1. Robert Hopkins
    View author publications

    You can also search for this author in PubMed Google Scholar

Corresponding author

Correspondence to Robert Hopkins.

Additional information

This article presented in a session in memory of Richard Wollheim

Rights and permissions

Reprints and permissions

About this article

Cite this article

Hopkins, R. Painting, History, and Experience. Philos Stud 127, 19–35 (2006). https://doi.org/10.1007/s11098-005-1728-4

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1007/s11098-005-1728-4

Search

Navigation