Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-05-05T09:40:18.406Z Has data issue: false hasContentIssue false
  • English
  • Français

Collections and Collectors

Published online by Cambridge University Press:  02 April 2024

Raoul Ergmann
Get access Rights & Permissions [Opens in a new window]

Extract

Among all the possible choices of “objects” for collection, that of works of art is the richest in meaning. In this paper we propose to discover if this ages-old activity may be understood as a historical phenomenon or only interpreted as one of the expressions man may give of his relationship with the universe of artistic works.

Type
Research Article
Information
Diogenes , Volume 32 , Issue 128 , December 1984 , pp. 54 - 76
Copyright
Copyright © 1984 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 We give only a few examples from the list of intermediaries, merchants and bargain hunters: Grimm and Diderot for Catherine of Russia; Luigi Crespi, son of the artist Giuseppe Maria, who mediated in the purchases of the Elector of Saxe and Cardinal Corsini; Bottari, librarian for the same prelate, procured drawings for Mariette.

2 This characteristic is found again in the 18th century, in Bonnier de la Mosson, for example.

3 The collection of engravings, the search for complete series bearing the succes sive "states" of printing are a limited case here.

4 We do not forget that there are more secret collectors, jealous of their treasures but in my opinion they are not characteristic.

5 "It is He who must become greater while it is I who must efface myself."