The Memory of Sound: Observations on the History of Music on Paper

afterlife Allan Bloom analytical bibliography audience Beethoven Borge Cambridge University Press Carl Dahlhaus cern collective musical memory composer's composers creative process definitive Donald Krummel editions eighteenth century engraving essence ethnomusicological evidence fact Friedrich Rochlitz Harold Spivacke history of books History of Music Homer and Gregory human memory ineffable instance learning by note legends Library of Congress Memory of Sound memory of Western Milton's Mozart music bibliography Music on Paper music publishers musical documents musical texts musicians Musicologists notation notion nuances October 29 opera oral cultures orchestral paper obviously perhaps precious lifeblood pursuit of idealistic quintessen re-creation recent reception history recognized Renaissance repertories Rock Music romantic Romanticism Schenker's Pantheon scholars Schreyer score scrupulous bibliographer sense society at large Sociology of Texts sound establishes sound record textual criticism tion today's musical hegemony transcendental Treitler ture Urtext Western civilization Word as Sound written record