Hostname: page-component-848d4c4894-m9kch Total loading time: 0 Render date: 2024-05-23T11:49:51.344Z Has data issue: false hasContentIssue false
  • English
  • Français

Intuition, Discursiveness and Aesthetic Alchemy

Published online by Cambridge University Press:  30 January 2009

Louis Arnaud Reid
Louis Arnaud Reid
Affiliation:
University of London Institute of Education
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Discussion
Information
Philosophy , Volume 56 , Issue 215 , January 1981 , pp. 89 - 99
Copyright
Copyright © The Royal Institute of Philosophy 1981

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 On ‘Feeling as cognitive’, see Reid, Louis Arnaud, Meaning in the Arts (London: Allen & Unwin, 1969), 143–150Google Scholar. Also Chapter IX and passim. Also Reid, , ‘Feeling, Thinking, Knowing’, Proceedings of the Aristotelian Society (1976–1977), 165–182Google Scholar.

2 On ‘Embodiment’, see Reid, Meaning in the Arts, 75–82, and passim.

3 I say ‘prima facie’ because I am not suggesting that these immediate aesthetic intuitions do not have their associational or other psychological and cultural background and causes.

4 Moore, Henry, in Henry Moore Sculpture (London: Macdonald, 1966)Google Scholar.

5 Ibid.

6 Ibid., 57.

7 Ibid., 50.

8 Ibid., 68.

9 Bosanquet, , Three Lectures on Aesthetic (London: Macmillan, 1915)Google Scholar.