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Camera Movement in Relation to
Animation Narration:
A study for Deriving Patterns
By : Fatemeh Maleki (Hadis)
Creative Animation Knowledge Conference
Edge Hill University
14th – 18th July 2014
 Find the those applications of camera
movement that can help in Narration
 Categorizing them to be useful for directors
 Note: Many factors such as Preceding or
succeeding shots => not looking for strict
rules and formulas.
 What is Narration?
 What do we mean by Camera
Movement?
 Why studying the relation?
“Camera Movement in Reaction to Animation Narration “
 The fabula (sometimes translated as "story") embodies the
action as a chronological cause-and-effect chain of events
occurring within a given duration and spatial field.
 The syuzhet (usually translated as "plot") is the actual
arrangement and presentation of the fabula in the film.
 Style, names the film's systematic use of cinematic devices.
style is thus wholly ingredient to the medium. Style interact
with syuzhet in various ways; hence the two-ways arrow in
the diagram
•Different theories: Mieke Bal,Bordwell (1985), etc.
Camera Definition
Camera Movement Definition :
 moving frames
 Multi-plane effects
 Zoom, pan, tilt, …
 Moving of camera and its vibration
 Even a cut that give a feeling of jumping
So Camera Movement in this theory is a syuzhet.
-Different Applications of Camera Movement
"Camera movement can be merely functional when it adjusts the camera
frame to the moving subject, but camera movement can also be a
subjective, interpretive device by the filmmaker to carry and assist the
narrative story" (Beidermühle, 2012: 2)
-Gradually Formed Grammar and Unwritten
rules
The previous examples:
 Kung Fu Panda(2008) : Introducing the
characteristics
 Toy Story(1995): Emotional feelings in the
scene
 Horton Hears aWho(2008): location
definition
Other applications . . .
 Psychology and different personal spaces:
It is related to the precedeeing and succeeding shots,
no strict rule.
 Directing the audience look, framing,
preparing for the next part
Defining and emphasizing on important parts
of Suyzhet
 Difference of long shot -> camera show in
detail ,speeding up and slowing down to
emphasize
 Emphasizing on emotional feelings: like
shocking face of in lion king
 Defining on the power of hits
 Defining the texture of road or floating in
wind ...
 Help to animate or exaggerate
Conscious Absent Mindedness Camera
 When it is hard to technically visualize some events
or actions
 When the animation is in a mystery type and
something should not be revealed
 When it is needed to delay showing something to
make suspension
 When it is needed attract the audiences to listen
more carefully to a sound
Genre
 Comedy : Bernstein definition,
Emperors New Groove(2000)
 Surreal
 Jumps in space and time:
“ Cubism in Animation”
 Musical : Beauty and the Beast(1991),
Lion King(1994)
 Documentary: Toy story III (2010), His Mother’s
Voice(1990), number of POV shots
 Style of direction and country of production
Animation: suspension and exageration
It can provide information that confirms what
the audiences have guessed.
It can reject what the audiences have guessed
and make a surprise.
It can provide information to connect preceding
and succeeding scenes.
Exaggeration:
- Acts
-Size or scale of characters
but cut is more in large differences :The Great
Grape Ape( 1975), Ratatouille(2007)
-Size or scale of location
Making Structure
- musical forms
- sewing the parts
TheTriplets of Belleville( 2003)
Master Shots / First Scene -> theme of story
 Spirit (2002)
 WALL-E (2008)
 Rio (2011)
 Kung fu Panda (2008)
Still camera
Silence in music ( 4’: 33’’)
Excessive use of movement
- relevant
- irrelevant
3D, laziness in animating
irrelevant to story e.g. Not action
The relation is important: old animation ;
Jumping (1984), The Fly (1974)
Challenges ofTechnology and Art
- 3D technology
- stereoscopic 3D: Alice inWonderland(2010)
- Dolby system
- Important camera movement a thing director
should consider
 You can find the slide at
 Email me please for any comments and
questions:
f.maleki@gmx.com
 Bordwell, David, 1985. Narration in the
fiction film.Wisconsin:The University of
Winsconsin Press.
 Beidermühle,Tobias, 2012. Camera
Movement: Historical Overview and
Application in Madly Unto Eternity, MFA.
SavannahCollege of Art and Design.

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CAKE Conference CameraMovement and Narration

  • 1. Camera Movement in Relation to Animation Narration: A study for Deriving Patterns By : Fatemeh Maleki (Hadis) Creative Animation Knowledge Conference Edge Hill University 14th – 18th July 2014
  • 2.
  • 3.
  • 4.
  • 5.  Find the those applications of camera movement that can help in Narration  Categorizing them to be useful for directors  Note: Many factors such as Preceding or succeeding shots => not looking for strict rules and formulas.
  • 6.  What is Narration?  What do we mean by Camera Movement?  Why studying the relation? “Camera Movement in Reaction to Animation Narration “
  • 7.  The fabula (sometimes translated as "story") embodies the action as a chronological cause-and-effect chain of events occurring within a given duration and spatial field.  The syuzhet (usually translated as "plot") is the actual arrangement and presentation of the fabula in the film.  Style, names the film's systematic use of cinematic devices. style is thus wholly ingredient to the medium. Style interact with syuzhet in various ways; hence the two-ways arrow in the diagram •Different theories: Mieke Bal,Bordwell (1985), etc.
  • 8. Camera Definition Camera Movement Definition :  moving frames  Multi-plane effects  Zoom, pan, tilt, …  Moving of camera and its vibration  Even a cut that give a feeling of jumping So Camera Movement in this theory is a syuzhet.
  • 9. -Different Applications of Camera Movement "Camera movement can be merely functional when it adjusts the camera frame to the moving subject, but camera movement can also be a subjective, interpretive device by the filmmaker to carry and assist the narrative story" (Beidermühle, 2012: 2) -Gradually Formed Grammar and Unwritten rules
  • 10. The previous examples:  Kung Fu Panda(2008) : Introducing the characteristics  Toy Story(1995): Emotional feelings in the scene  Horton Hears aWho(2008): location definition Other applications . . .
  • 11.  Psychology and different personal spaces: It is related to the precedeeing and succeeding shots, no strict rule.
  • 12.  Directing the audience look, framing, preparing for the next part
  • 13. Defining and emphasizing on important parts of Suyzhet  Difference of long shot -> camera show in detail ,speeding up and slowing down to emphasize  Emphasizing on emotional feelings: like shocking face of in lion king  Defining on the power of hits  Defining the texture of road or floating in wind ...
  • 14.  Help to animate or exaggerate
  • 15. Conscious Absent Mindedness Camera  When it is hard to technically visualize some events or actions  When the animation is in a mystery type and something should not be revealed  When it is needed to delay showing something to make suspension  When it is needed attract the audiences to listen more carefully to a sound
  • 16. Genre  Comedy : Bernstein definition, Emperors New Groove(2000)  Surreal  Jumps in space and time: “ Cubism in Animation”  Musical : Beauty and the Beast(1991), Lion King(1994)  Documentary: Toy story III (2010), His Mother’s Voice(1990), number of POV shots  Style of direction and country of production
  • 17. Animation: suspension and exageration It can provide information that confirms what the audiences have guessed. It can reject what the audiences have guessed and make a surprise. It can provide information to connect preceding and succeeding scenes.
  • 18. Exaggeration: - Acts -Size or scale of characters but cut is more in large differences :The Great Grape Ape( 1975), Ratatouille(2007) -Size or scale of location
  • 19. Making Structure - musical forms - sewing the parts TheTriplets of Belleville( 2003)
  • 20. Master Shots / First Scene -> theme of story  Spirit (2002)  WALL-E (2008)  Rio (2011)  Kung fu Panda (2008)
  • 21. Still camera Silence in music ( 4’: 33’’) Excessive use of movement - relevant - irrelevant 3D, laziness in animating irrelevant to story e.g. Not action The relation is important: old animation ; Jumping (1984), The Fly (1974)
  • 22. Challenges ofTechnology and Art - 3D technology - stereoscopic 3D: Alice inWonderland(2010) - Dolby system - Important camera movement a thing director should consider
  • 23.  You can find the slide at  Email me please for any comments and questions: f.maleki@gmx.com
  • 24.  Bordwell, David, 1985. Narration in the fiction film.Wisconsin:The University of Winsconsin Press.  Beidermühle,Tobias, 2012. Camera Movement: Historical Overview and Application in Madly Unto Eternity, MFA. SavannahCollege of Art and Design.