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Licensed Unlicensed Requires Authentication Published by De Gruyter Mouton January 23, 2006

A host of ghosts in Descartess theater

From the journal Semiotica
https://doi.org/10.1515/semi.2002.079
Published Online: 2006-01-23
Published in Print: 2002-10-09

Copyright © 2002 by Walter de Gruyter GmbH & Co. KG

From the journal
Semiotica
Semiotica
Volume 2002 Issue 142
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Journal and Issue

Articles in the same Issue

A neglected classic vindicated: The place of George Herbert Mead in the general tradition of semiotics
A micro-analytic investigation of how iconic gestures and speech represent core semantic features in talk
Semiotic knowledge organization: Theory and method development
The Color Concept Generator: An adaptive fuzzy color semiotic design tool
The semiotics of the lieu de mémoire: The postage stamp as a site of cultural memory
Linteraction du texte et de lillustration ou comment la publicité forge des histoires
Griegs swan songs
Embodiments of bilateral asymmetry and danger in hobo signs
The seduction of linguistics and other signs of eros
Representing semiotics in the new millennium
Metaphors, archetypes, and the biological origins of semiotics
Well-ordered transgressions
A host of ghosts in Descartess theater
Semiotic engineering
Mapping the complex relations between theatre and religion: A reading of Theatre and Holy Script
How to do things with things other than just words
Naomi Cummings sonic self
Leonard B. Meyer: On the threshold of musical semiotics
Signs and sensibility
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