"The famous painting of Descartes by Frans Hals that hangs in the Louvre is, in fact, not by Frans Hals. And a similar things-are-not-what-they-seem quality applies to this clever little book. For behind the telling of the story of a clutch of paintings and a group of friends in the seventeenth century, Nadler gives us a brisk and lively account of Descartes' philosophy, which, more than any other, would become the foundation of modernity."—Russell Shorto, author of Descartes' Bones
"This lucid and readable book serves as a biography, an exposition of philosophy, and a rich tapestry of Dutch history and culture."—Larry Silver, University of Pennsylvania
[B]y situating him firmly in his time and place, [Nadler] makes clear what made Descartes the intellectual superstar of his day. . . . [A]n original, intriguing set-up. . . . [A]s an introduction to Descartes' philosophy, it is excellent.---David Wolf, Slate
As one would expect from a distinguished philosopher such as Nadler, the description of Descartes's philosophy, and in particular his Discourse (1637) and Meditations (1641), is flawless.---Jerry Brotton, Literary Review
Cartesian iconography centers around a widely known portrait of Descartes attributed to Frans Hals. In this book, Nadler uses the story of that painting's origin to present a study of Descartes and his philosophy that will be accessible to a wide audience. . . . [T]his volume serves as a very good introduction to Descartes's philosophy in historical context.
"The Philosopher, the Priest, and the Painter is an excellent introduction for general readers to Descartes and his thought. Nadler brings the story and ideas to life."—Daniel Garber, Princeton University
Nadler is appealing to a wider audience that is looking less for hard-nosed scholarship and more for a story to follow, some intrigue to pique the mind while telling the reader something interesting and informative about the life and work of Descartes. Insofar as the work is meant for a general audience, it accomplishes its aims well enough and should be well-received and enjoyed by those readers.---Aaron Massecar, European Legacy
[C]harming. . . . Nadler, an American philosopher and author, has written an immensely readable introduction to Descartes.
[A]bsorbing.
Nadler gives us a remarkably accessible and historically rich picture of Descartes's life and thought. The book provides a reliable and lively introduction to Descartes for the general reader and for scholars a pleasant portrait of Descartes.---Peter M. Distelzweig, Journal of the History of Philosophy
[A] landscape (or at least a well-turned charcoal sketch) of religious, artistic, and economic life in the Netherlands during the first half of the 17th century. . . . Nadler's book . . . takes us back upstream a ways--beginning, rather than exempting us from, a dialog with the dead.---Scott McLemee, Inside Higher Ed
Riveting. . . . In The Philosopher, the Priest, and the Painter, Nadler has . . . written his most inviting book yet. . . . Nadler's detective work makes for fascinating reading. . . . [T]he resulting survey of Golden Age Dutch culture, Cartesian philosophy and art connoisseurship . . . makes for . . . very welcome intellectual entertainment.---Michael Dirda, Washington Post
Steven Nadler has produced another gem of original research and lively and lucid writing.---Catherine Wilson, Times Literary Supplement