In lieu of an abstract, here is a brief excerpt of the content:

  • Introduction
  • F. S. Naidennaiden@email.unc.edu and Richard Talberttalbert@email.unc.edu

To state that there are no sound bites or video clips from classical antiquity is to repeat the obvious. But it is a surprise perhaps to realize how seldom we can recall our field’s most influential scholars even of the very recent past through such now commonplace media. Moreover, the chance to view and hear personal reflections articulated by any such figures about their career, influences, and impact is rare indeed. It was precious opportunities of this type that Pat Thane, Alastair Reid, and Michael Thompson had the foresight to capture from the mid-1980s by developing a video Interviews with Historians series between 1985 and 1996.1 The series was produced by the Publications Department of the Institute of Historical Research at the University of London. In each instance (eventually a total of twenty-eight), a leading historian is interviewed—usually in a studio—by a younger colleague in the same field; three cameras are used, one long shot and one close-up of each participant.2

The interview with Sir Moses Finley was one of the first two made (in October 1985) and, as it turned out fortuitously, only months before his sudden death in June 1986 at age 74. The interviewer is Keith Hopkins (a youthful 51), Finley’s one-time graduate student, who had himself just become Cambridge’s professor of ancient history, the position that Finley occupied from 1970 to 1979. They talked in the studio for approximately one hour, and Alastair Reid then edited the master tape with notable skill [End Page 167] to shorten the interview to thirty-five minutes; once both participants had given their approval, the interview was released.3 Meantime, the hour-long U-Matic master tape was archived, but otherwise forgotten. Fortunately, however, in response to inquiries made by Richard Talbert during summer 2013, the Institute proved able to retrieve the tape and—despite its fragility and long outmoded format—to arrange for a successful transfer of the interview to DVD by Soho Broadcast, London.4

Our original intention was to offer a transcript of the edited thirty-five-minute version,5 but once the hour-long tape surfaced, we decided instead to offer the interview in its entirety. Our transcript (below, p. 179) inevitably has its limitations and can make no claim to substitute for the video itself.6 It cannot reproduce the unfailingly good-humored atmosphere throughout the interview, nor the range of tones and emphases, nor Finley’s New York accent, nor the marked variations in the pace at which he makes his points, nor of course his constant, characteristic gestures. The variations in pace have influenced how we resolved to punctuate some passages, an unavoidably subjective exercise. Above all, however, we have resisted the recurrent temptation to “clean up” the conversation, so that repetitious, inconsequential, and incomplete remarks are eliminated, and readers are left with a text that more readily approximates to standard written prose.7 Au contraire, our transcript consciously aims to preserve the untidiness and immediacy of the interview; in consequence, very little in the way of repetitive and inconsequential remarks has been omitted.

The transcript must be approached, therefore, as the opportunity to listen in on a cordial conversation. One might fairly wonder how far Hopkins had settled in advance with Finley the directions that it might take. No more than minimally, we may suspect, beyond their mutual acknowledgment of the general scope and purpose outlined by the series organizers—hence Hopkins’ unfailing deference towards Finley and his [End Page 168] successive cues to advance the conversation instructively. But recalling the stage where Hopkins asks, “How did you come to cross the Atlantic?” and Finley blithely declines to offer more than the briefest response, we can only speculate whether this was a prearranged rejection of a question which it was reasonable for Hopkins to pose but which Finley preferred not to pursue; or whether Hopkins failed to anticipate quite such a rapid, firm rebuff, and so had to introduce a fresh line of questioning sooner than expected. After all, if Finley had opted to take up the...

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