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PSEUDO-SACRIFICIAL ALLUSIONS IN HOSIDIUS GETA'S MEDEA

Published online by Cambridge University Press:  05 February 2024

James Parkhouse*
Affiliation:
Oxford

Abstract

This article explores the allusive strategy of the late second-century cento-tragedy Medea attributed to Hosidius Geta, which recounts Medea's revenge against Jason using verses from the works of Virgil. It argues that the text's author recognized a consistent strand of characterization in earlier treatments of the Medea myth, whereby the heroine's filicide is presented as a corrupted sacrifice. Geta selectively uses verses from thematically significant episodes in the Aeneid—the lying tale of Sinon and the death of Laocoön; the murder of Priam; the suicide of Dido—at key points to foreground the theme of pseudo-sacrificial violence. Geta's use of Virgil evinces a keen appreciation both of the symbolism of the broader mythic tradition in which his text is situated and of the original narrative contexts of the verses he recycles. The article's findings contribute to a growing recognition of the creative potential afforded by the cento technique.

Type
Research Article
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of The Classical Association

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Footnotes

I am grateful to Professor Matthew Leigh, Dr Matthew Robinson and CQ's reader.

References

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39 Rondholz (n. 1), 115.

40 Rondholz (n. 1), 115.

41 Rondholz (n. 1), 117–18, who notes that Medea's deceit is also conveyed through allusions to the speech of Drances in Aeneid Book 11, in which he opposes Turnus out of personal envy.

42 Rondholz (n. 1), 126.

43 Rondholz (n. 1), 128.

44 Leigh (n. 24), 130–1.

45 For discussion of Geta's metre, see Lamacchia, R., ‘Metro e ritmo nella Medea di Osidio Geta’, Stud. Ital. 30 (1958), 175206Google Scholar; Rondholz (n. 1), 91–5. Geta differentiates between spoken passages and choral song, using hexameter lines for the former and paroemiacs for the latter. Whilst some spoken verses are not perfect hexameters where Geta has prioritized content over scansion, his imperfect hexameters none the less approximate the hexameter line, making the hypometric verses conspicuous.

46 Rondholz (n. 1), 142–3.