The Progress of Romance: Literary Historiography and the Gothic NovelIn this vigorous response to recent trends in theory and criticism, David H. Richter asks how we can again learn to practice literary history. Despite the watchword "always historicize", comparatively few monographs attempt genuine historical explanations of literary phenomena. Richter theorizes that the contemporary evasion of history may stem from our sense that the modern literary ideas underlying our historical explanations - Marxism, formalism, and reception theory - are unable, by themselves, to inscribe an adequate narrative of the origins, development, and decline of genres and style systems. Despite theorists' attempts to incorporate others principles of explanation, each of these master narratives on its own has areas of blindness and areas of insight, questions it can answer and questions it cannot even ask. But the explanations, however differently focused, complement one another, with one supplying what another lacks. Using the first heyday of the Gothic novel as the prime object of study, Richter develops his pluralistic vision of literary history in practice. Successive chapters outline first a neo-Marxist history of the Gothic, using the ideas of Raymond Williams and Terry Eagleton to understand the literature of terror as an outgrowth of inexorable tensions within Georgian society; next, a narrative on the Gothic as an institutional form, drawn from the formalist theories of R. S. Crane and Ralph Rader; and finally a study of the reception of the Gothic - the way the romance was sustained by, and in its turn altered, the motives for literary response in the British public around the turn of the nineteenth century. In his concluding chapter, Richter returns to thequestion of theory, to general issues of adequacy and explanatory power in literary history, to the false panaceas of Foucauldian new historicism and cultural studies, and to the necessity of historical pluralism. A learned, engaging, and important book. The Progress of Romance is essential reading for scholars of British literature, narrative, narrative theory, the novel, and the theory of the novel. |
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The Progress of Romance: Literary Historiography and the Gothic Novel David H. Richter No preview available - 1996 |
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aesthetic Ann Radcliffe argues audience Austen authors become Bleak House Brontë canonical Castle of Otranto causal cause chapter character Chicago coherent contemporary Crane Critical cultural discuss dominant Eagleton Edited eighteenth century Emily England English essay explanation fact fantasy female formal formalists Foucault Frankenstein genre Gothic fiction Gothic novel Gothic romance Gubar hero heroine historical novel historical romance horror ideology Jane Jane Eyre Jauss John literary history literature London Manfred's Marxist Maturin McKeon medieval Melmoth the Wanderer mode Monk moral Mysteries of Udolpho narrative neo-Gothic Newgate novel nineteenth century notion novelists Pamela period Perkins plot pluralism political problem produced protagonist Radcliffe Radcliffe's reader reading reception theory Review revolution Richardson Robert Rothstein Scott seems sensation novel sense sentimental social sort story structure suggests supernatural Tale terror tion Tom Jones tradition University Press Victorian villain vogue vols Walpole Waverley William women writers York