Sartre and Camus: A Historic Confrontation

Front Cover
Humanity Books, 2004 - Literary Criticism - 299 pages
In 1952, Jean-Paul Sartre engaged Albert Camus in a celebrated and bitter public confrontation that had wide-ranging cultural significance. The year before, Camus had challenged the prevailing political wisdom in his renowned work, The Rebel. In response he was attacked in print, first by Francis Jeanson writing in Les Temps Modernes, a journal edited by Sartre, and then by Sartre himself. In a series of highly publicized articles, these literary and cultural titans locked horns over human values, social and political policy, the nature of human freedom, the meaning of history, and the direction that Western civilization should take.

This book contains the first English translation of the five texts constituting this famous philosophical quarrel. Personally animated, passionately argued, polemically focused, this confrontation was as much a personal encounter as it was a theoretical debate. Alternating between stylistic brilliance and stinging sarcasm, each draws upon their years of past involvement as former friends both to make their criticisms more pointed and their theoretical critique more challenging. At the same time, their views serve as lightning rods for the wider cultural forces of which they are partial expressions.

In addition to the two Camus and Jeanson articles, and a revised and corrected version of Sartre’s article, the volume includes a detailed biographical and critical introduction, which sets the historical context, plus two new essays by contemporary scholars presenting both a "Sartrean" and a "Camusian" perspective on the cultural and philosophical significance of this historic confrontation. Readers will not only be drawn into the issues raised by these two great thinkers but realize that their debate is still with us, perhaps more forcefully than ever.

From inside the book

Contents

PREFACE
7
The Historical Context
19
Conclusion
26
Copyright

10 other sections not shown

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About the author (2004)

Sartre is the dominant figure in post-war French intellectual life. A graduate of the prestigious Ecole Normale Superieure with an agregation in philosophy, Sartre has been a major figure on the literary and philosophical scenes since the late 1930s. Widely known as an atheistic proponent of existentialism, he emphasized the priority of existence over preconceived essences and the importance of human freedom. In his first and best novel, Nausea (1938), Sartre contrasted the fluidity of human consciousness with the apparent solidity of external reality and satirized the hypocrisies and pretensions of bourgeois idealism. Sartre's theater is also highly ideological, emphasizing the importance of personal freedom and the commitment of the individual to social and political goals. His first play, The Flies (1943), was produced during the German occupation, despite its underlying message of defiance. One of his most popular plays is the one-act No Exit (1944), in which the traditional theological concept of hell is redefined in existentialist terms. In Red Gloves (Les Mains Sales) (1948), Sartre examines the pragmatic implications of the individual involved in political action through the mechanism of the Communist party and a changing historical situation. His highly readable autobiography, The Words (1964), tells of his childhood in an idealistic bourgeois Protestant family and of his subsequent rejection of his upbringing. Sartre has also made significant contributions to literary criticism in his 10-volume Situations (1947--72) and in works on Baudelaire, Genet, and Flaubert. In 1964 he was awarded the Nobel Prize in Literature and refused it, saying that he always declined official honors.

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