Constraint is freedom. An application of zombie to certain aspects of art and cognitive psychology

Given that computers are not merely information-processors but rather representation-processors, who are the people most suited to dealing with representations of consciousness or the lack of it, once these consist in a computer? Who are the experts on irredundant holism when it comes to making sense of and manipulating these representations? Neither scientists nor philosophers, but rather artists, poets and so on. If this is the case it is not surprising that there already exists, in and out of the computational domain, a body of knowledge about and evidence for the synthesis in an almost alchemical way of the scientific and philosophical (spiritual, one might almost say) approaches to consciousness. This presentation will examine aspects of zombie in both computer-based and traditional art, with several previously unknown examples of the use of zombie-like imagery in classical art leading to contemporary attempts to portray the nothing that being a zombie is like. Audience participation will be more or less obligatory. This document is really background notes to the above, pretending to be a paper.