How Philosophers Saved Myths: Allegorical Interpretation and Classical Mythology

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University of Chicago Press, 2004 - History - 206 pages
This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical.

How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.
 

Contents

Introduction
1
Muthos and Philosophia
5
Platos Attitude toward Myth
15
Aristotle and the Beginnings of Allegorical Exegesis
29
Stoics Epicureans and the New Academy
41
Pythagoreanism and Platonism
56
The Neoplatonic School of Athens
87
Byzantium and the Pagan Myths
107
The Western Middle Ages
126
The Renaissance
137
Conclusion
162
Notes
167
Index
201
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About the author (2004)

Luc Brisson is director of research at the Centre National de la Recherche Scientifique in France. He is the author of several books including Plato the Mythmaker, published in English by the University of Chicago Press. Catherine Tihanyi, a research associate at Western Washington University, has translated a number of books for the University of Chicago Press, including Adam Biro’s Two Jews on a Train.

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