Vibration matters: collective blue morph effect

Does the flap of a butterfly’s wings in Brazil set off a tornado in Texas?

—Edward Lorenz in a talk at the 139th meeting of the American Association for the Advancement of Science in 1972 (Lorenz 1993).

Abstract

Once an artist takes on the challenge of making the invisible visible, or the inaudible audible, he/she is almost immediately thrown into the realm of energy at the edge of art and science. The established art world based on visual culture finds it difficult to place this kind of work. The scientific community, used to working in this realm in a reductionist way, finds it hard to comprehend. Yet, the public seems to be drawn to artwork residing “in between,” and there seems to be a universal need for a connection to the spiritual realm beyond what established religions offer. As many speculative ideas in the West circulate around ideas of energetic approach to matter in general, particularly the body and mind, alternative medicine and other Eastern philosophies are thriving. This essay will show how, in collaboration with nanoscientist James Gimzewski, we have investigated these ideas from the sounds of cells to the concept and realization of the Blue Morph installation at the Integratron [the Integratron is the creation of George Van Tassel and is based on the design of Moses’ Tabernacle, the writings of Nikola Tesla and telepathic directions from extraterrestrials. This one-of-a-kind building is a 38-foot-high, 55-foot-diameter, nonmetallic structure originally designed by Van Tassel as a rejuvenation and time machine (The Integratron 2009)].