The Owl of Minerva

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published on October 28, 2014

Robert Williams

Overcoming the Kantian Frame
Tragedy, Recognition, and the Death of God

This paper has three sections. 1) For Hegel, the true infinite is the fundamental concept of philosophy. The true infinite challenges current non-metaphysical interpretations of Hegel, as it challenged Kant’s restriction of cognition to finitude and attack on metaphysics. The consciousness of limit (finitude) implies a transcendence of limit, and an infinite opposed to the finite shows itself to be finite. 2) Hegel accepts Kant’s approach to the God-question through practical reason, but rejects Kant’s postulates as incoherent. The content of the God-postulate contradicts the subject-relative form of the postulate. Kant’s moral God is a spurious infinite. The true infinite is a self-determining, self-realizing, inclusive whole which sublates the subjective ‘ought to be’ of the postulate. 3) For both Hegel and Nietzsche the moral god is dead; both pursue the question of theology after the death of God. I explore Hegel’s account of tragedy and his conception of tragic reconciliation. The latter is not a comic, but an “anguished reconciliation, a disquieted bliss in disaster.” The death of God and reconciliation include negation and suffering, and are closer to tragic reconciliation than to Dante’s Divine Comedy with its impassible absolute that lacks serious opposition.