Subversive Strategies in Contemporary Chinese Art

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Mary Wiseman, Liu Yuedi, Yuedi Liu
BRILL, Mar 21, 2011 - Philosophy - 417 pages
What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. "Subversive Strategies" paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians, "Subversive Strategies" begins by showing how the art reflects current crises and is working them out through bodies gendered and political. The essays raise the question of Chinese identity in a global world and note a blurring of the boundary between art and everyday life.
 

Contents

Subversive Strategies in Chinese Avantgarde Art
3
Political Pop Art and the crisis of originality
21
Anxiety of Influence and the Creative Triumph of Cai GuoQiang
35
ImageFabrication and Contemporary Photography in China
49
From DeChineseness to ReChineseness
59
Chinese Contemporary Art from Cultural Symbol to International Style
77
Xu Bings pioneer experiment
87
The Political Body in Chinese Art
109
On the Role of Expression in Chinese Art
213
Shi Tao MerleauPonty and the Practice of Painting
247
A Tentative Theory for Chinese Contemporary Art
271
Current State of Chinese Art
283
Avantgarde in Chinese Art
295
Postcolonial and Contemporary Art Trends in Taiwan
321
Reflections on Cultural Identity
333
East and West
353

Gendered Bodies in Contemporary Chinese Art
125
The Second Sex and Contemporary Chinese Womens Art A Case Study on Chen Lingyangs Work
147
The Case of He Chengyao
171
Metaphysics In Chinese Art
191
Seven Examples
369
Then and Now
377
After the End of Art and the Rebirth of Chinese Aesthetics
393
Index
411

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About the author (2011)

Mary Bittner Wiseman. M.A. in Philosophy, Harvard University. Ph.D. in Philosophy, Columbia University. Professor Emerita of Philosophy at Brooklyn College and the Graduate Center, C.U.N.Y. Author of "The Ecstases of Roland Barthes" (Routledge), she has published on aesthetics, ethics, and feminism. Liu Yuedi Ph.D. in Philosophy. Associate Professor at Chinese Academy of Social Sciences. Delegate at large of International Association for Aesthetics, Secretary-General of Chinese Society for Aesthetics. Author of "The History of Analytic Aesthetics," he has published on culture, aesthetics and art.

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