Institutions of Art: Reconsiderations of George Dickie's Philosophy

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Penn State Press, Apr 15, 1999 - Philosophy - 208 pages

George Dickie has been one of the most innovative, influential, and controversial philosophers of art working in the analytical tradition in the past twenty-five years. Dickie's arguments against the various theories of aesthetic attitude, aesthetic perception, and aesthetic experience virtually brought classical theories of the aesthetic to a halt. His institutional theory of art was perhaps the most discussed proposal in aesthetics during the 1970s and 1980s, inspiring both supporters who produced variations on the theory as well as passionate detractors who thought the theory thoroughly wrongheaded. Dickie has also written widely on the history of aesthetics, and his work ranks among the best examples of analytic aesthetics.

The philosophy of George Dickie continues to provoke reaction and reflection. The essays in this collection pay homage not only to Dickie's ideas but also to his influence. A brief biography of George Dickie and a bibliography of his works complete the volume.

 

Contents

Identifying Art
3
Perceptually Indistinguishable Objects
39
Valuing the Artworld
51
RECONSIDERING THE EVALUATION OF ART
71
On the Need to Distinguish Between Aesthetic and Artistic Evaluations of Art
73
A Feminist Case for Dickies Matrix System
87
Evaluating More Than Art
109
RECONSIDERING THE HISTORY OF AESTHETICS
125
A Historical Sketch
127
Partial Enchantments of the Quixote Story in Humes Essay on Taste
145
Kant on Aesthetic Ideas and Beauty
157
A Biography and Bibliography
185
Index
189
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About the author (1999)

Robert J. Yanal is Professor of Philosophy at Wayne State University.

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