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  1.  5
    Some Remarks on Eco’s Confession and His Mystical Raptus.Carola Barbero - 2021 - Rivista di Estetica 76:129-146.
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  2.  2
    Introduction.Davide Dal Sasso, Maurizio Ferrari & Ugo Volli - 2021 - Rivista di Estetica 76:3-10.
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  3.  5
    On Form and Structure: Umberto Eco and the Basis for a Positive Philosophy of the Arts.Davide Dal°Sasso - 2021 - Rivista di Estetica 76:180-204.
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  4.  9
    The Dog Schema.Umberto Eco, Maurizio Ferraris & Diego Marconi - 2021 - Rivista di Estetica 76:10-39.
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  5.  6
    Dystopias and Historiographical Objects: The Strange Case of The Middle Ages.Riccardo Fedriga - 2021 - Rivista di Estetica 76:60-75.
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  6.  5
    Alive as You and Me.Maurizio Ferraris - 2021 - Rivista di Estetica 76:75-81.
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  7.  4
    Indexes: Cultural Nature and Natural Culture.Massimo Leone - 2021 - Rivista di Estetica 76:112-129.
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  8.  2
    Power, Dangers and Resources of Forgery, From Theory to Novels.Anna Maria Lorusso - 2021 - Rivista di Estetica 76:95-112.
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  9.  5
    Eco and Berio Between Music and Open Work.Stefano Oliva - 2021 - Rivista di Estetica 76:146-161.
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  10.  6
    The Notion of System in the Work of Umberto Eco: Summa, Structure, Code, Encyclopaedia and Rhizome.Claudio Paolucci - 2021 - Rivista di Estetica 76:39-60.
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  11.  4
    Per un catalogo geografico universale. Ontologie ibride, rappresentazioni cartografiche e intersezioni geo-informatiche.Timothy Tambassi - 2021 - Rivista di Estetica 76:204-221.
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  12.  8
    The Openness of Art. The Poetics of Art and Loss of Autonomy of Art.Polona Tratnik - 2021 - Rivista di Estetica 76:161-180.
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  13.  5
    The Origins Of Umberto Eco’s Semio-Philosophical Project.Ugo Volli - 2021 - Rivista di Estetica 76:81-95.
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  14. La Rue est à nous.Filippo Fimiani - 2021 - Rivista di Estetica 2 (77):59-76.
    periphery looks at you with hate. This phrase in red neon struck the visitors of Landscapes, an exhibition by Domenico Antonio Mancini in the Lia Rumma Gallery in Naples, in 2019. It was not addressed to the public but to the nineteenth-century pictorial views relocated in the last room of the exhibition, as if repainted by the immaterial vandalism of the colored light. The exhibition’s theme was the visibility of contemporary suburban environments, now accessible through Google street view visualizations. Mancini’s (...)
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