The triumph of scientific materialism in the Seventeenth Century not only bifurcated nature into matter and mind and primary and secondary qualities, as Alfred North Whitehead pointed out in Science and the Modern World. It divided science and the humanities. The core of science is the effort to comprehend the cosmos through mathematics. The core of the humanities is the effort to comprehend history and human nature through narratives. The life sciences can be seen as the zone in which the (...) conflict between these two very different ways of comprehending the world collide. Evolutionary theory as defended by Schelling developed out of natural history, but efforts have been made to formulate neo-Darwinism through mathematical models. However, it is impossible to eliminate stories from biology. As Stuart Kauffman argued, mathematical models attempt to pre-state all possibilities, but in evolution there can be adjacent possibles that can be embraced by organisms but cannot be pre-stated. To account for such actions it is necessary to tell stories. Mathematics provides analytic precision allowing long chains of deductions, but tends to deny temporal becoming and cannot do justice to the openness of the future, while narratives focus on processes and events, but lack exactitude that would provide precise deductions and predictions. In advancing mathematics adequate to life, Robert Rosen argued that living beings as anticipatory systems must have models of themselves, and strove to develop a form of mathematics able to model life itself. It has been convincingly argued that narratives are central to human self-creation and they are lived out before being explicitly told. Their models of themselves are first and foremost, stories or narratives. If this is the case, might not living beings as biological entities be characterized by proto-stories or narratives in their models of themselves? Biosemiotics, largely inspired by C.S. Peirce, provides a bridge between mathematical and narrative comprehension, conceiving them as different forms of semiosis. The study of life through biosemiotics could reveal how mathematics and narratives can be understood in relation to each other. This could have implications for how we understand science and the humanities and their relationship to each other. In this paper I will examine work in theoretical biology that might advance these efforts. (shrink)

I propose to open a discussion on a realist philosophy of curation. To do so, I plot premises that will move towards such a philosophy. While I am neither introducing a new ontology nor contributing to metaphysics, I deal with metaphysical and ontological issues as these engage in the philosophy of curation and the philosophy of museums. In particular, I start with a museological or curatorial realism towards a discussion on meeting curation with the broadness of reality. There are three (...) core premises. First, while reality is ontologically mind-independent, it is anti-realist for reality to be curation-dependent. Second, curation has to be folded (contrary to Deleuze’s use of dynamic folding qua ‘an origami cosmos’) to address the anti-realist connotations of curation. To do this, I methodologically introduce the fold and state two-fold, three-fold, fourfold, and fifth-fold semantics of curation. While curatorial realism can be argued in a fourfold curation, the third premise is that the realist aspect lies in the fifth-folding of curation to match the extensivity of reality. This paper will attempt to introduce the philosophy of museums and the philosophy of curation with a bent on the realism/anti-realism debate. It will expose the inherit anti-realism of curation, and survey the need for objects in metaphysics and within contemporary forms of realism. (shrink)

The central aim of astrobiology is to study origins, evolution and distribution of life in the universe, combining data from various disciplines. However, I will argue that from a philosophical standpoint, astrobiology requires the affirmation of astrophilosophy. Fry (2015) claims that philosophical presuppositions guiding science are general, for example, we hold the notion that natural laws necessarily hold at the whole universe at large, and on the basis of the universal applicability of natural laws, the astrobiological research is conducted. Jakosky (...) (2000) mentions that finding any life elsewhere that had an origin independent of that on Earth would be philosophically profound. Kolb (2005) covers various definitions of life and establishes thought experiments about the survival of life in the Solar System. Most of the (scarce) research has dealt with specific philosophical topics in astrobiology, instead of seeing it as a new philosophical discipline or perhaps a new subdiscipline for each of the classical philosophical disciplines. -/- Persson (2013) has made a step towards this by systematizing the most important philosophical questions in astrobiology, along with Dunér (2013) emphasizing its importance for ethics, epistemology, semiotics and linguistics, and cognition. Persson mentions that the justification of resources is a question of ethics, but I would also like to add political philosophy, since not only is there a question of preference over "earthly manners" but also fair distribution of costs and the concept of ownership of the new worlds. The question of a new definition of life is another one, that I would argue holds one of the central places in metaphysics. Persson mentions various definitions of life and that such a discussion is important for both biology and philosophy, a notion I would like to add to by stating that the question of finding another life is also an ontological question, giving us either categorical similarity or dissimilarity, and establishing a new kind, which is of metaphysical importance. Persson also establishes the importance of is it possible to know whether we are alone or not, a question I would like to tie to the modern epistemological questions of possibility of knowledge (cf. Cassam, 2007). Persson also connects astrobiology with ethical questions such as biocentrism or colonization, which also might be tied to philosophy of mind, and philosophy of politics and culture respectively. -/- One major step forward was established recently by Dick (2020), focusing on a new discipline combining astronomy, cosmology, and astrobiology, in which there is a focus on the nature of reasoning, the problematic nature of evidence, the influence of metaphysical preconceptions, the epistemological status of these disciplines, the role of technology, and the mutual interaction between these disciplines. The purpose of this paper is to see how the creation of astrophilosophy could better emphasize the role of philosophy today, and would it behave as a side-by-side major philosophical discipline or a complement to the current philosophical disciplines, for example, bringing new light into metaphysics, epistemology, ethics, or philosophy of mind. In the first case, we would make a metaphysical difference between human-related problems and other possible kinds, and in the second case, we would have to incorporate current astrobiological questions into modern philosophical dialogue, establishing, for example, metaphysics and epistemology of life, or, a possibility to incorporate non-human life into epistemology, philosophy of mind, and philosophy of biology. This goes hand to hand with Dunér's (2013) points of seeing the philosophy of astrobiology as both a type of individual and collective self-understanding, and conceptual analysis. That way, using astrophilosophical novelties, we can improve not only our current philosophical intuitions, but also expand the territory of philosophical subdisciplines to become more universal. -/- . (shrink)

Schelling’s Principle of Art returns us to an ancient epic sensibility, laying the foundations for reversing the unrealistic ‘modern mythology’ arguably at the core of humanity’s ecological/existential crisis. This contribution examines how, by detailing his systematic approach to constructing art ‘in the particular’ (art-forms/works). ‘Particularity’ is subject only to the reason inherent in the potences (or consequences) of the affirmation of the whole unity (Principle). Hence Schelling’s ‘affirming principles’ determine boundary conditions for his ‘mythological categories’, revealing why their generalities inform (...) a ‘scientific sequence’ for explaining the features of the Formative and Verbal arts (ie., all artforms, ‘for all time’). Examining specific examples shows how Schelling resolves key difficulties (appearance/reality, form/non-form, intentionality, and purpose) for assessing art’s higher meaning-value directionality; why phenomenology is key to understanding it; and how we arrived at the problematic modern ‘epic’ reversal of ancient universalising focusing our attention on ‘efficient’ over ‘final’ causes in art-making/admiring. Explaining practical application of the Principle-in-action expands on why Schelling’s ‘dialectical aesthetics’ presents a hitherto unrecognised radical advance on Kant’s. My conclusion summarises what shifts in attendance to the art object Schelling’s system demands, and why his Philosophy of Art offers a suitable framework for collectively re-worlding the world. (shrink)