This paper sets out to investigate the Nietzschean connection between Sylvia Wynter and Reiner Schürmann through a reading of Nietzsche’s On the Genealogy of Morals. Nietzsche’s account of ‘bad conscience’ is read through the Wynterian and Fanonian concept of ‘sociogeny’ to demonstrate its necessity to Nietzsche’s project of the Great Redeemer. This paper, then, demonstrates a previously undiagnosed influence of Nietzsche on Wynter and the role that anarchy plays in her construction of the ‘human being as praxis’. The essay concludes (...) with an amelioration of Schürmann’s epochal genealogy to account for a racialized lacunae present in his Western genealogy of thought. It is by bringing all three together that we understand anarchy as being firmly committed to anti-racist and anti-anti-Black enactments. It concludes by highlighting the possibility of metaphysics after the withering of epochal archē in what this paper calls ‘the multitude of metaphysics’. (shrink)

The main argument of this paper is that the debate on whether Nietzsche is communitarian or individualist is wrongheaded, failing to distinguish the conception of community and individual Nietzsche critiques, the 'mob' and the 'Higher Man', from the conceptions Nietzsche envisions and hopes for, his 'free spirits' and – what I call, based on the critique of indivisible subjects in the Genealogy of Morality – the idiosyncrasy. I propose a reading of Nietzsche which elaborates his novel conception of a non-ascetic (...) will to truth, based in courageous honesty and self-overcoming, rather than self-preservation, in order to conceive these individuals and communities. The coupling of Dionysus and Apollo has to be replaced with Dionysus and Ariadne because, using key terms from Deleuze's Nietzsche, the sense and value of critique is generated from a labyrinthine, Dionysian meaning as will to power and Ariadne's thread as evaluation based on the eternal recurrence, constituting the idiosyncrasy and the free spirits, respectively. (shrink)

This article aims to reposition Nietzsche's thought within contemporary fields of research through the prism of its reception by Pierre Klossowski. Our analysis makes use of Klossowski's unpublished manuscripts, allowing us to better articulate and situate Nietzsche's thought within Klossowski's thought, which is nourished by a dialogue that goes beyond his work devoted to Nietzsche and develops an analysis that is particularly amenable to updating. In developing a Nietzsche-informed general economy of subjectivation, Klossowskian theory tends toward various aspects of theoretical (...) explorations present in media thought and the posthumanities. In doing so, we show that Nietzsche's thought, as approached by Klossowski, allows for unprecedented connections that shed light on the genealogy of the posthumanities, conceptually enrich research in Media archaeology and Science and Technology Studies, and anticipate the crucial role of affect and information in contemporary processes of subjectivation. (shrink)

Simone Weil's ideas proved fundamental for Iris Murdoch, opening up a difficult path of thought for one rooted in the British philosophical tradition in the 1950s (Sim 1985, Bok 2005, Lovibond 2011a, Panizza 2022a, Mac Cumhaill and Wiseman 2022). Grasping the Weilian-inspired moral theory of attention sketched by Iris Murdoch is a prerequisite for comprehending the development of her moral ideas (Panizza 2015, Broackes 2012) and the form they may take in her literary writings (Griffin 1993, Morgan 2006). This paper (...) argues that we can read an expression of Simone Weil in Iris Murdoch's novels which articulate her notions of grace and gravity, but also convey the Weilian insights that shape Murdoch's moral perfectionism. It investigates three of Murdoch's well-known male protagonists, i.e., Bradley Pearson, Charles Arrowby and Hilary Burde, so as to comprehend how their moral failures relate to a defective implementation of the concepts of love and attention as theorised by Simone Weil as leading to goodness. Hence, it offers a new examination of the way in which the Murdochian literary staging of inattention as a cause of moral deficiency reveals its Weilian-based ethics of attention. (shrink)

The main thesis of this essay is that non-linguistic infantile cries towards the nondefinable constitute, for Simone Weil, the essence of the human. The author begins by surveying, for the first time, Weil’s depiction of the infant’s cry as a scream of an infinite desire towards nothing definite. In the second part, in which the author analyzes the infantile cry introduced in Weil’s later writings this desire, it will be presented as fundamental to being. The infantile cry expresses mutely a (...) desire for the indescribable good. Since it is cried from birth till death, its designation as infantile is revealed to indicate not one’s age but one’s nonlinguistic essence. While recent scholarship emphasized the importance of silence in Weil’s thought, no attention had been given to the significance of the ineffable to her philosophy. By studying the infant and infantile cry, this essay will show how the inarticulate desire towards the unattainable comprises the truth of being. (shrink)

Defined as the ability to understand and share others' feelings and suffering, empathy seems to come naturally to mind when we consider Simone Weil's life and works. If this concept doesn't explicitly appear in her writings, "pity", "sympathy" and "compassion" are pervasive: the purpose of this paper is to demonstrate how these notions converge on the contemporary understanding of "empathy". Since the turn of the century, this concept has known such a development that it has become difficult to clearly identify (...) its object, and to appreciate its ethical value. To study Simone Weil's works from the angle of empathy offers both a new approach of the concept, and a very relevant point of view to put in light the great continuity between all the fields of the philosopher's thought. Our main hypothesis is that the weilian theory of empathy is based on the idea of "transposition", a process that allows someone to transport himself into another person, and from the natural to the supernatural dimension. It is in this last dimension that Simone Weil can found intersubjectivity, and solve the ethical problem of empathy: the right distance between the Self and the Other. (shrink)

Despite her hostility to surrealism, Simone Weil received a paradoxical reception in the work and thought of Georges Bataille. From this point onwards she has attracted the interest of psychoanalysis up to the present day. After their meeting and exchanges at the beginning of the 1930s, Bataille wrote a novel in which he created a portrait of Simone Weil and asks, through her, questions which served to develop and enrich the next stages of his theoretical constructions. This pathway to progress (...) through reference to Simone Weil has often gone unnoticed. However, it deserves to be reconstituted because it brings a disturbing light that Weil would not have approved but that could help us to renew our understanding of her personality and her work. (shrink)

This essay explores the development of Simone Weil's conception of obedience across religious, political, and ethical contexts. By bringing together these strands of Weil's thought, it aims to illuminate some important connections in her treatment of obedience throughout these diverse topics. The author argues that Weil's political treatment of obedience is deeply influenced by ideas in Christian thought, and that this account is situated within an understanding of obedience in the natural world which is itself ethically loaded. Hence it is (...) suggested that Weil's account of obedience has something to offer philosophy today: namely, a conception of obedience which recognises the practical and ethical need for obeying others, but which is distinct from the mere submission to power. (shrink)

The article offers an analysis of Simone Weil's philosophy of mathematics. Weil's reflection starts from a critique of Bourbaki's programme, led by her brother André: the "mechanical attention" Bourbaki considered an advantage of their treatment of mathematics was for her responsible for the incomprehensibility of modern algebra, and even a cause of alien-ation and social oppression. On the contrary, she developed her pivotal concept of 'atten-tion' with the aim of approaching mathematical problems in order to make "progress in another more (...) mysterious dimension". In the Pythagorean 'crisis of incommensurables', Weil saw the possibility of defining the relationships between things in terms that are not exclusively numerical. This implies drawing an analogy between mathematical relation-ships and God's relationship with mankind (logos), the basis of a 'supernatural' reformu-lation of the entire scientific understanding of the world. The consequence is a critique of machinism and the possibility to contrast algorithmic reason with a "supernatural reason". (shrink)

Too often associated with suspicion rather than trust, Ricœur's hermeneutics is understood by many primarily as a critical endeavor. In this way, the fragile balance that he is trying to maintain between the two approaches is ignored. The objective of the following study is, by means of Ricoeur's "dialectical game of suspicion and trust", to elucidate the complexity of his hermeneutics and to demonstrate that trust is as pivotal as suspicion. At the difference of some authors who maintain that trust (...) and suspicion are opposed, even mutually exclusive approaches of two kinds of hermeneutics, it will be shown that Ricoeur has developed a single hermeneutics which encompasses both approaches and explores them on different levels (epistemological, anthropological, ethical, sociopolitical). In the limited number of contributions dedicated to Ricoeur's concept of trust, these different levels are frequently conflated, whereby the relationship between religious belief and trust/mistrust is completely ignored. Consequently, the divergent perspectives of his early and late philosophical work, as well as certain discontinuities, are overlooked. Therefore, this study places a central emphasis on the neglected religious level of suspicion and trust. (shrink)

This article aims to examine the mystical meanings of food in the texts Gravity and Grace, Waiting for God, and First and Last Notebooks by the French philosopher Simone Weil (1909-1943). The main questions posed over the course of this study are as follows: How does Weil interpret food in her mystical texts? What relationship do her ideas have with her context of the Second World War, with Judaism, with her body? Are biomedical understandings of behavior, such as anorexia nervosa, (...) applicable to Weil? The methodology will involve an in-depth reading of the three texts mentioned above, sketching the key theories of decreation and affliction. The main thesis of the paper is that food has an irremediably ambiguous status in Weil, marking both the degrading subjection of the human being to the earthly laws of necessity and gravity, and paradoxically, a path to salvation, where, through the spiritual transformation of decreation, the human being eats and is eaten by God. The author argues that this quasi-Christian mysticism must first be understood in Weil’s context of the Second World War, and that it also involves a problematic relationship with Judaism. Moreover, this study contends that interpretations utilizing primarily medical frameworks to understand Weil's food deprivation, such as anorexia nervosa, are insufficient. Such pathologization, as will be demonstrated, neglects the complex and often ambiguous mystical, ethical, and ontological meanings that Weil locates in hunger. (shrink)