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  1. Jennifer Fay (2018) Inhospitable World: Cinema in the Time of the Anthropocene.William Brown - 2020 - Film-Philosophy 24 (1):78-81.
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  2. Calum Watt (2017) Blanchot and the Moving Image: Fascination and Spectatorship.Corey P. Cribb - 2020 - Film-Philosophy 24 (1):71-74.
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  3. Timothy Barker (2018) Against Transmission: Media Philosophy and the Engineering of Time.Matilde Nardelli - 2020 - Film-Philosophy 24 (1):75-77.
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  4. Touch as Proximate Distance: Post-Phenomenological Ethics in the Cinema of Isabel Coixet.Katarzyna Paszkiewicz - 2020 - Film-Philosophy 24 (1):22-45.
    In the wake of paradigm-shifting works on cinematic affect over the last few decades that have challenged psychoanalytically based gaze theory, embodied perception and sensory-affective experience...
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  5. Taciturn Masculinities: Radical Quiet and Sounding Linguistic Difference in Valeska Grisebach's Western.Hannah Paveck - 2020 - Film-Philosophy 24 (1):46-66.
    This article brings into dialogue the work of Jean-Luc Nancy and Berlin School filmmaker Valeska Grisebach to consider the relationship between film sound, gender and settler colonialism in Western...
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    A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship.Chiara Quaranta - 2020 - Film-Philosophy 24 (1):1-21.
    Boredom, in cinema as well as in our everyday experience, is usually associated with a generalised loss of meaning or interest. Accordingly, boredom is often perceived as that which ought to be avo...
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    Katherine Groo (2019) Bad Film Histories: Ethnography and the Early Archive.Chelsea Wessels - 2020 - Film-Philosophy 24 (1):67-70.
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