In Multidirectional Memory Michael Rothberg argues that collective memory is best understood as a network connecting apparently disparate historical traumas. His ethical vision pre-empts the need t...

ABSTRACT This article analyses Chimamanda Ngozi Adichie’s most recent novel, Americanah, which brings to the fore the complex issues faced by female migrants in a globalized world. Given the centrality of digital platforms in Americanah and their impact and ubiquity in modern societies, the essay examines cyberspace as a tool for identity formation, specifically of Ifemelu, the novel’s Nigerian female protagonist, and as a platform that enhances transnational solidarity by offering female migrants the opportunity to be heard and gain agency. (...) By examining different forms of social discrimination Ifemelu encounters during her long stay in America, and the agency she gains by setting up a blog to openly express her views and those of her readers, my analysis shows the importance of an intersectional approach for understanding and encompassing the multidimensionality of women’s experiences in today’s interconnected world. The article concludes that Americanah is a representative example of transmodern fiction that captures both the challenges and the opportunities created by the mobility, transnational and transcultural reality of our times. (shrink)

ABSTRACT The aim of this article is to offer a reparative framework for current feminist approaches, most of which seek to inhabit rather than assimilate previous forms of inclusivity or intersectionality, by vindicating the pioneering role of past feminisms. For this purpose, I will stick to a double-edged methodological tool that has been an object of dispute in feminist and literary studies for the last decades, namely, critique and postcritique, two concepts that could be said to bear witness to old (...) and new ways of doing feminism. My aim is not to dismiss recent feminist work but to render visible forgotten critiques that have been an essential heritage of feminism. To acknowledge such debts is part of the reparative reading I present here, for I hold that the desire for deep knowledge is accretive and demands a closer and more respectful attention to past practices and theoretical positions. (shrink)

ABSTRACT This article discusses the Celtic myths, figures, and central themes of Tomm Moore’s animated movie Song of the Sea, from a transmodern feminist perspective. While the movie offers a vivid portrayal of the dichotomy between the tranquil Irish countryside and the turbulent city of Dublin, its main theme revolves around a rural family’s lament for the loss of the mother who is a modern-day personification of the Celtic selkie. This curious female figure embodies contradictory characteristics: she is semi-human and (...) at the same time a mother and a wife who, in struggling with her in-between state, leaves her family and returns to her mythical roots. By focusing on several of the Celtic mythical figures and central themes of maternal loss, motherhood, gender relations, and family reconciliation, I attempt to show that the movie’s transmodern echoes and concerns suggest that alternative family formations and changed gender roles are possible in Irish society and in the world more generally. (shrink)

ABSTRACT This article seeks to draw parallels between today’s transmodern reality and the events recounted in Margaret Atwood’s The Testaments and in The Handmaid’s Tale Hulu TV series, particularly Seasons 2 and 3. Addressing issues such as controlled reproduction, violence, corporeal subjection of women, and environmental injustice, I focus on the body as a site of social construction, vulnerability and control. Drawing on the work of various scholars, I argue that the body is simultaneously a site of vulnerability and of (...) resistance that exceeds totalitarian categories, thus allowing for empowering “modes of heterogeneity,” fluidity, diversity, environmental as well as transcorporeal. In Gilead, the totalitarian state where Atwood’s two novels are set, it is the body that is acted upon, with massive repression and violence, and it is the body that resists by forming alternative relations and practices, which eventually facilitate the fall of Gilead from within. Throughout my analysis, I draw on the transmodern concept, while widening it toward the corporeal enmeshment with others in order to demonstrate that it is the interdependence of vulnerability and empowerment that reveals transmodernity’s “new visions of justice.”. (shrink)

This article examines two recent examples of feminist dystopias: Louise Erdrich’s Future Home of the Living God and Leni Zumas’s Red Clocks. True to their genre, these novels act as w...

ABSTRACT The article argues that, while the configuration of the lesbian body and of subjectivity in Sarah Waters’s first three novels—Tipping the Velvet, Affinity, and Fingersmith —is carried out in the discursive and performative terms of postmodernist feminism, her latest novels evince a move towards a queer phenomenological position characterised by a growing interest in the material and socioeconomic conditions of the body and subjectivity. Initiated in The Night Watch and The Little Stranger, and culminating in The Paying Guests, this (...) phenomenological turn is observable in that these novels are centrally concerned with material issues of class and situated in periods of collective post-war trauma and political unrest that open up the possibility for cultural change and social transformation, thus suggesting a move towards a transmodernist position. The article offers a queer reading of The Paying Guests, based on Sarah Ahmed’s notions of “encounter” and “orientation” as a way to substantiate this assertion. (shrink)

ABSTRACT This essay is concerned with the relationship between femininity and divinity in feminist speculative fiction. It equates becoming divine with becoming plant, and studies the transformations that attend women in this process in modernity, postmodernity and transmodernity. Taking as its point of departure Mark Taylor’s evolution of the concept of God through immanence, transcendence and immanent transcendence, and Rosa María Rodríguez Magda’s definition of transmodernity, it examines “The Sleep of Plants” by Anne Richter, “The Neglected Garden” by Kathe Koja, (...) and “The Bad Graft” by Karen Russell. It argues that by becoming plants these women locate themselves in opposition to the norms of divinity created by men, and proposes to delineate the contours of a new feminist paradigm in the present transmodern age through the study of botany. (shrink)

ABSTRACT By drawing on Jewish feminist scholarship along with intersectional feminism, the aim of this article is to explore whether the construction of the female protagonist and gender relations in Linda Grant’s novel Still Here offer fruitful models for reshaping Jewish memories and identities. I examine the way memory in the novel becomes multidirectional and palimpsestic by fusing various dimensions of time and space. Set in Liverpool and Dresden, with their very different histories, the novel traces how the two middle-aged (...) Jewish protagonists, Alix Rebick and Joseph Shields, discover each other’s personal as well as disturbing family memories. The multidirectional and transgenerational bonds that connect them lead to their falling in love; and their relationship is shown to develop as a result of their ability to overcome their traumatic experiences and to open their own selves to feel empathic towards each other’s pain. The issues and questions raised in the novel are examined from the perspective of Jewish and intersectional feminism so as to fully explore Alix’s agency in coming to terms with her inherited past and troubled Jewish female identity. (shrink)

The winds of change sweeping across our globalised world have inspired a wide range of studies, new research paradigms, and new concepts that seek to characterise their nature and effects, the chal...

ABSTRACT In this article I discuss Bernardine Evaristo’s Girl, Woman, Other as a transmodern narrative that gives voice to a marginalised group of black women living in Britain. Written in a hybrid style that combines prose and poetry and eschewing punctuation and long sentences, the novel interweaves sundry stories from the late nineteenth to the twenty-first century set in countries ranging from Africa, the Caribbean, and America to Britain. This networked structure exposes transtemporal and transnational patterns of diversity, connectedness and (...) relationality, as well as the distinctive genealogy of black British women and their maternal empowerment. I argue that the resilience of the characters in the face of social, racial and gender marginalisation springs from their empathic relatedness and solidarity. This emphasis on the importance of care for the other highlights the need for improving not only women’s rights and socioeconomic opportunities but of benefiting humanity on a broader scale. (shrink)

This article addresses the debate between Jürgen Habermas and Charles Taylor on the implications of state secularism for the public use of reason. Recent commentators have traced this debate either to Habermas’s and Taylor’s divergent views about the status of Western modernity or to their disagreement about the relation between the good and the right. I argue that these readings rest on misinterpretations of Habermas’s theory of social evolution and understanding of impartial justification. I show that the debate rests on (...) diverging interpretations of what it means for citizens to embed the principles of liberal democracy in their respective conceptions of the good. This difference in turn leads Habermas and Taylor to espouse different criteria of democratic legitimacy. I conclude by suggesting that we have prima facie reasons to prefer Habermas’s conception of legitimacy to Taylor’s, and to that extent, to favor his model of the public use of reason. (shrink)

This is a superb anthology that questions the value and even the existence of honor in the contemporary world. Although readers have had the benefit of excellent works on this concept from mainly a...

Although Western and Chinese philosophy evolved from disparate doctrinal foundations, the department of ethics is a notable exception. “How to live the good life” is a subject treated by Confucius...

One of the most enduring puzzles of courage is its relation to technical or instrumental reason and the power such reason brings. For Michel de Montaigne, the conquest of the New World sh...

The emphasis on the unique self in the Romantic period resulted in representations of romantic love as an aspect of psychological depth. However, in Maria Edgeworth’s novel, Belinda, love is...

This article considers what St. Augustine has to say about administration in The City of God, as well as in The Rule of St. Augustine and in Of the Work of Monks. Rather than focusin...

The 2015 immigration wave brought profound changes to European society in the form of a welcoming culture on the one hand, and in the rise of xenophobia and of right-wing populi...

Oxford anthropologist Ruben Andersson has written a book that is accessible for a general audience, because it is so engagingly written, and is full of information and arguments that should be read...

It is useful to be reminded that Spain produced, according to several estimates, about 10,000 plays during its literary Golden Age. Indeed, one of the many positive results from this enterprising b...

The work of Étienne Balibar—one of France’s leading intellectuals, from his remarkable chapter on historical materialism in Reading Capital, more than fifty years ago, to the present day—needs litt...

This article discusses Rousseau’s theory of the genesis and development of a “post-liberal self” and its political implications. In his Emile, or Education, Rousseau explores the distinctive featur...

It is the fate of most great political thinkers for their works to be the subject of controversy and contestation. Hobbes is a pre-eminent example of this generalisation. Though a comprehensive sur...

In the 1990s academic marketplace, transnational history emerged in the wake of the sprouting of international history, global history, and postcolonial history as historical subject fields. Christ...

This article offers a realist interpretation of Tacitus’s analysis of political failure. Tacitus described the early Roman Empire as a balance between the conflicting and irreconcilable values and interests of the emperor, the army, and the senate. For him Stoic-republican morality in itself—without the intervention of a political standard demanding political agency in every circumstance—cannot provide an all-purpose guide to action. He provides a fine-grained analysis of types of political failure, such as failing to act, or to realize one’s limited (...) scope for maneuver, or the inevitability of failure given particular political circumstances. Tacitus also describes Thrasea, a moderate member of the senatorial opposition to Nero, as an exceptionally laudable figure. His preference for moderate politics places Tacitus on the side of contemporary status-quo oriented, liberal, realists (e.g., Bernard Williams), rather than on the side of radical realists (e.g., Raymond Geuss, Enzo Rossi), but the central lesson of his understanding of Roman politics is not so much that political order is fragile as that the cost of political failure can indeed be unbearably high. (shrink)