Azul y no tan rosa was the first Venezuelan film to win the Goya for Best Spanish Language Foreign Film. It was also the first Venezuelan film to feature a kiss between two men, as well as an openly transgender character. At the heart of the film is a scene which cross-cuts between transsexual Delirio performing the 1980s Venezuelan pop hit ‘No soy una señora’ and a vicious homophobic attack. This scene exemplifies the film’s preoccupation with the performance of gender, (...) its denunciation of machista violence, and its call for acceptance of difference. (shrink)

Resumen Hay imágenes poderosas y hay imágenes potentes. Todavía más, hay imágenes potentes que hacen resistencia al poder, que son acto y gesto de resistencia en sí mismas. Entre marzo y agosto del año 2017 la sociedad venezolana vivió uno de los períodos más sensibles de la ya prolongada crisis institucional del país, caracterizada visiblemente por cotidianas protestas de calle duramente reprimidas por las fuerzas de seguridad del Estado, fenómeno que fue nombrado por los medios de comunicación internacionales como la (...) Primavera venezolana o la Rebelión de Abril. En un contexto hipermediatizado por las imágenes recirculadas por las redes sociales digitales y la prensa internacional, principalmente, destacan para mí los trabajos realizados por tres fotógrafos venezolanos: Gabriel Osorio, Vladimir Marcano Sifontes y Gabriel Méndez, cuyas fotografías testimonian experiencias traumáticas colectivas de resistencia al poder político en su propio «aquí y ahora» contingente, y articulan sus reflexiones desde el diálogo con ese otro sin nombre en imágenes potentes que se tornan gestos de resistencia y migración. (shrink)

This article presents an approach to the way in which Bolívar Echeverría, based on his reformulation of Marxist criticism, attempts to locate in the truncated configurations of Latin American modernity potentials for resisting the universal expansion of the value form. Drawing on his distinction between modernity and capitalism, as well as his interpretation of the fundamental tension between natural form and value form, the article exposes Exheverría’s historical analysis of the triumph of the realist ethos over the baroque ethos of (...) Latin American modernity. Nevertheless, the remnants of the latter constitute for Echeverría a possible counter-figure of the realistic ethos embodied by Whiteness. This is how his approach attempts to go beyond both Eurocentrism and the postmodern rejection of modernity, aiming to save the hope of a concrete universalism against the purely abstract universalism of capitalist modernity. (shrink)

This article addresses the concept of ‘anarchaeological reading’ proposed by Erin Graff Zivin, putting it at stake, on the one hand, in the reading of the temporal disjunction of the Borges reader of the question of eternity in Plato and, on the other, in the pointing out of the colonially regimented interpretation of the link between Yagán Indians and fox-dogs in southern Patagonia made by a European ‘Indian hunter’ at the end of the nineteenth century.

This article analyses Roberto Schwarz’s contributions to understanding the significance of Brazilian culture in relation to the way in which it is embedded in the dynamics of global capitalism. At first, it analyses to what extent his approach to Latin American culture can be understood as a dialectical alternative to postcolonial and subaltern studies. Then, based on his analysis of the intertwining of artistic form and social reality, it focuses on how Schwarz reveals the significance of Machado de Assis’ late (...) narrative, which goes far beyond the strictly local. Finally, it offers some insights into his understanding of the evolution of the peripheral ‘maladjustment’ in the recent evolution of global capitalism on the basis of Paulo Lins’ novel Cidade de Deus. (shrink)

This article analyses some of the main aspects that characterize the genealogy of thought proposed by the so-called decolonial turn. The article focuses on a specific case: Walter Mignolo’s interpretation of the work of Guamán Poma de Ayala, Primer nueva corónica y buen gobierno. In this context, I will present a critique of the reduction made of Guamán to a frontier thinker whose hallmark would be to introduce the question of the coloniality of power. I will propose as an alternative (...) approach the study of Primer nueva corónica as a cultural product of the Euro-American archive. (shrink)

This is an introduction to the Special Issue of Empedocles European Journal for the Philosophy of Communication focused on Latin American studies. The articles collected here were meticulously selected in light of previous discussions and conferences about Latin America that took place over the past year. The contributors transversally analyse several issues in current Latin American studies, particularly those related to philosophy, art, literature and visual studies. They propose alternative readings of Latin America taking into account its singularity and the (...) way in which traditional categories such as representation, power, modernity or gender, among others, are implicitly and explicitly used and criticized. (shrink)

Esta es una introducción al volumen especial de Empedocles: European Journal for the Philosophy of Communication enfocada en estudios latinoamericanos. Los trabajos que a continuación se presentan forman parte de una selección minuciosa llevada a cabo a propósito de varias conversaciones sobre Latinoamérica llevadas a cabo durante el último año. Los artículos en cuestión recorren transversalmente diversas áreas del pensamiento latinoamericano en la actualidad, particularmente las relacionadas con la filosofía, el arte, la literatura y los estudios visuales. Del mismo modo, (...) proponen lecturas alternativas de la realidad latinoamericana atendiendo a su autenticidad, su contexto y a la forma en la cual se interpretan y critican, implícita y explícitamente, categorías tradicionales como representación, poder, modernidad o género entre otras. (shrink)

Resumen A partir de una de las últimas novelas de la escritora brasileña, Clarice Lispector, A hora da estrela, y de la problematización de la relación entre literatura, representación y pobreza, este trabajo intenta dos cosas: mostrar el complejo mecanismo utilizado por Lispector en la elaboración de su novela, como un trabajo de des-narrativización que interrumpe el proceso representacional desde una elaboración minimalista de la trama y del personaje; y mostrar cómo, a partir de dicha presentación de la vida precaria (...) de su protagonista, Macabea, también refe-rida como la nordestina, se hace posible una nueva relación entre literatura, crítica e historia. (shrink)

When we communicate with others, we usually know when we are expected to contribute to an evolving dialogue, such as during a debate, or when it is suitable to generate predictable responses, for example, at a marriage ceremony. However, in cross-cultural communication situations, communicating partners may have different assumptions in this respect. In particular, when a western communicator expects a dialogical development, a Russian participant may expect the same communication situation to progress as a sequence of predictable communication acts. This (...) clash of implicit expectations often results in communication failure, without either party realizing that implementing incompatible approaches to information sharing is the reason for this failure. In this article, I introduce the terms ‘dialogical engagement’ and ‘monological sequencing’ whilst exploring cross-cultural communication problems between Russia and the West. I use these terms to describe mechanisms that characterize both cultures’ preferred communication patterns and which, when inadvertently deployed, cause collisions between Russian and western communicating partners. By uncovering these differences, I intend to progress beyond merely acknowledging cross-cultural communication problems between the two worlds. Besides, as in the Russian cultural setting, more communication situations are implicitly expected to develop as monological sequences than similar situations in the West, understanding this particular distinction may prevent practitioners in numerous fields from making the mistake of expecting cross-cultural communication situations to develop in line with their implicit assumptions. (shrink)

Science must articulate its sources, as well as its relevance and its context, and it must provide clear argumentation. Furthermore, it is strictly bound to academic and ethical rules. Art is not constrained by these methods, ethics or rules. In the relatively new field of artistic research, science and art are integrated. However, the definition of this institutionalized field, and the methods and evaluation criteria of its output are debated. Can the scientific and artistic approaches be integrated into one coherent (...) working method? The essay inherently embraces both the artistic and the scientific approaches. It drifts between the subjective and the objective, the experiential and the intellectual. The essay expresses a train of thought, and critically reflects on those thoughts: it experiments and speculates. What if artists were to use the essay as an unmethodological research method? The artistic researcher approaches the topic of investigation, as it were, essayistically: essaying art. The expression of this act of essaying can encompass all possible artistic media, and all possible combinations of media. (shrink)

Irish-Australian philosopher William Lyons is the author of the short films The Examination and The Letter. These are cinematographic manifestations of the author’s enterprise in communicating philosophical ideas beyond the formal conventions of professional philosophy. The present entry consists of an endearing and informative letter that Lyons enclosed with the films when he sent them to the editors of Empedocles: European Journal for the Philosophy of Communication upon their request. It is reproduced here verbatim as a preamble to the discussion (...) about them that follows in this same issue. (shrink)

Review of: The Aesthetics of Meaning and Thought: The Bodily Roots of Philosophy, Science, Morality, and Art, Mark Johnson Chicago: University of Chicago Press, 304 pp.,ISBN 978-0-22653-894-5, p/bk, USD 30.

Social researchers have long known that playing music to people can evoke memories of their pasts and bring people into a different relationship with themselves as the sounds move them to make connections with an earlier period in their lives. It has been discovered in patients with dementia that it could revive people to hear songs they have loved, which can help to bring them back from a state of inner withdrawal. Some researchers have given people portable music listening devices (...) so that they can listen to music that evokes memories from particular moments that they might be willing to share as part of an oral history or ethnographic project. This is to invoke processes that we can acknowledge ourselves as we realize the very special relationship we seem to have with music from our teenage years ‐ processes that have helped to shape a generational experience and sensibility. Hearing old tracks from the past can move us to make connections and can invoke emotions and feelings in us that we might not have felt for years. It can restore memories of times past as we feel the presence of the past through the mediation of the sounds. This article explores the significance of sound and voice memory for traumatic suffering in the form of an autoethnographic study of Amy Berg’s documentary Janis: Little Girl Blue, transgenerational trauma, sexual trauma, feminism, therapy and the truths of memory. (shrink)

Can the history of philosophy transcend the reconstruction of facts and the causal relationships that bind them together? As such, it can also be said to facilitate the analysis of key philosophical problems inherent to the act of communicating the history of philosophy itself. In this article, such a possibility is explored from the vantage point of William Lyons’ short films The Examination and The Letter. These productions re-create certain episodes in the life of Ludwig Wittgenstein and Hannah Arendt with (...) an eye to institutional and moral issues of philosophical significance. (shrink)